• The rise of performance studies : rethinking Richard Schechner's broad spectrum
  • 紀錄類型: 書目-電子資源 : 單行本
    副題名: rethinking Richard Schechner's broad spectrum
    合作者: HardingJames Martin, 1958-
    合作者: RosenthalCindy, 1954-
    其他團體作者: Palgrave Connect (Online service)
    出版地: Basingstoke
    出版者: Palgrave Macmillan;
    出版年: 2011
    面頁冊數: 1 online resource (312 p.)
    集叢名: Studies in international performance
    標題: Theater - Anthropological aspects. -
    標題: Performing arts. -
    標題: Schechner, Richard, 1934- - Criticism and interpretation. -
    標題: Schechner - Richard - Criticism and interpretation. -
    電子資源: http://www.palgraveconnect.com/doifinder/10.1057/9780230306059An electronic book accessible through the World Wide Web; click for information
    附註: Includes index.
    摘要註: The essays in this anthology are situated within the larger context of a critical engagement with Richard Schechner's work as a theatre practitioner, teacher, scholar, activist, and visionary. Through a wide variety of approaches, the contributors acknowledge the profound impact that Schechner's work has had on our understanding of performance as a mode of cultural practice and on the emergence of Performance Studies as a discipline. Some essays are embedded in intensely personal reflections on Schechner's work as a practitioner and teacher, while others take stock of critical concepts that are central to Schechner's work as a theorist and scholar. Yet it is not enough to say that the essays offer a critical survey of the broad spectrum of Schechner's cultural and intellectual endeavours. The essays all converge in an acknowledgement that few individuals within the theatre and performance communities have positioned their work so consistently or so consequentially as Schechner has within the key debates that have defined Performance Studies as a discipline.
    ISBN: 9780230306059electronic bk.
    ISBN: 0230306055electronic bk.
    ISBN: 1283124556
    ISBN: 9781283124553
    內容註: The Rise of Performance Studies: An Introduction; J. Harding & C. Rosenthal PART I: PERFORMANCE/THEATRE/STUDIES Performance Studies and the Enhancement of Theatre Studies; M. Carlson In Defence of the String Quartet: An Open Letter to Richard Schechner; S. Bottoms Experimenting with an Unfinished Discipline: Richard Schechner, the Avant-Garde and Performance Studies; J. Harding & C. Rosenthal PART II: PERFORMANCE STUDIES GENEALOGIES Wayang Studies?; P. Rae Today I am a Field: Performance Studies Comes of Age; H. Bial Richard Schechner and Performance Studies in China; P. Yongwen & Y. Jiancun Australian Performance Studies Marginally Off Centre; P. Eckersall PART III: WORKING WITH RICHARD Reactuals: From Personal to Critical and Back; R. Schneider Fanning the Flames: Richard Schechner's TDR; M. Sandford Liminal Richard: Approaches to Performance Studies; J. Emigh The Broadest Spectrum of Pluralities: Performance Studies, Theatre Practices, Theatre Histories, and Beyond; P. Zarrilli PART IV: PRACTICING PERFORMANCE: SCHECHNER AMONG THE PERFORMERS. Richard Schechner; J. Malina Interview; J. MacIntosh Interview; E. LeCompte For Richard; A.D. Smith Performing Against the Backdrop of the War on Terror; G. Gomez-Pena PART V: ENGAGING DIALOGUE: SCHECHNER AS CRITICAL INTERLOCUTOR Trauma as Durational Performance; D. Taylor Medical Clowning and Performance Theory; A. Citron Restored Restored Behavior or the Emperor of California Roll: 1989-90 Japanese Imperial Rites of Funeral and Enthronement; T. Yuichiro 'Deep Play, Dark Play': Framing the Limit(less); J. Roach.
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