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Music and the language of love : seventeenth-century French airs

Record Type:	Electronic resources : monographic
Title Information:	seventeenth-century French airs
Author:	Gordon-SeifertCatherine Elizabeth,
Secondary Intellectual Responsibility:	Project Muse
Place of Publication:	Bloomington
Published:	Indiana University Press;
Year of Publication:	c2011
Description:	1 online resource (ix, 390 p.)ill. :
Series:	Musical meaning and interpretation
Subject:	Love in music -
Subject:	Love songs - History and criticism - France - 17th century -
Subject:	Music - History and criticism - France - 17th century -
Online resource:	http://muse.jhu.edu/books/9780253000859/
Notes:	Includes bibliographical references (p. [345]-367) and index
ISBN:	9780253000859electronic bk.
ISBN:	0253000858electronic bk.
ISBN:	9780253354617hbk.
ISBN:	0253354617hbk.
Content Note:	Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert,Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century Frenchsources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece:their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing Frenchairs: A haute voix: the importance of orality ; The art of proper singing: tone and style ; Orclmentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ;Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men --The late-seventeenth-century airand the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre

Music and the language of love : seventeenth-century French airs
Gordon-Seifert, Catherine Elizabeth

Music and the language of love : seventeenth-century French airs / Catherine Gordon-Seifert - Bloomington : Indiana University Press, c2011. - 1 online resource (ix, 390 p.) ; ill.. - (Musical meaning and interpretation).
Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert,Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century Frenchsources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece:their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing Frenchairs: A haute voix: the importance of orality ; The art of proper singing: tone and style ; Orclmentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ;Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men --The late-seventeenth-century airand the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.
Includes bibliographical references (p. [345]-367) and index.
ISBN 9780253000859ISBN 0253000858ISBN 9780253354617ISBN 0253354617
Love in musicLove songsMusic -- History and criticism -- History and criticism -- France -- France -- 17th century -- 17th century

Music and the language of love : seventeenth-century French airs
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