嶺東科技大學 |

Smoke signals : native cinema rising

Record Type:	Electronic resources : monographic
Title Information:	native cinema rising
Author:	HearneJoanna,
Secondary Intellectual Responsibility:	Project Muse
Place of Publication:	Lincoln
Published:	University of Nebraska Press;
Year of Publication:	2012
Description:	1 online resource (304 p.).
Series:	Indigenous films
Subject:	Indigenous films - United States -
Subject:	Indians in motion pictures -
Online resource:	http://muse.jhu.edu/books/9780803244627/
Notes:	Includes bibliographical references and index
Summary:	"An introduction to and analysis of "Smoke Signals," the most popular Native American film ofall time"--
ISBN:	9780803244627electronic bk.
ISBN:	0803244622electronic bk.
ISBN:	9780803219274pbk.

Smoke signals : native cinema rising
Hearne, Joanna

Smoke signals : native cinema rising / Joanna Hearne - Lincoln : University of Nebraska Press, 2012. - 1 online resource (304 p.).. - (Indigenous films).
Includes bibliographical references and index.
ISBN 9780803244627ISBN 0803244622ISBN 9780803219274
Indigenous filmsIndians in motion pictures -- United States

Smoke signals : native cinema rising
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330 $a "An introduction to and analysis of "Smoke Signals," the most popular Native American film ofall time"--
330 $a "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss andrenewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--ininterviews withAlexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "--
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