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Swans of the kremlin : ballet and power in soviet russia

[NT 42944] Record Type:	[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47348] Title Information:	ballet and power in soviet russia
[NT 47261] Author:	EzrahiChristina,
[NT 47356] Secondary Intellectual Responsibility:	Project Muse
[NT 47351] Place of Publication:	Pittsburgh
[NT 47263] Published:	University of Pittsburgh Press;
[NT 47352] Year of Publication:	2012
[NT 47264] Description:	1 online resource (368 p.).
[NT 47298] Series:	Pitt russian east european
[NT 47266] Subject:	Ballet - History - Soviet Union -
[NT 47266] Subject:	Dance - History - Soviet Union -
[NT 47266] Subject:	Dance - Political aspects - Soviet Union -
[NT 51458] Online resource:	http://muse.jhu.edu/books/9780822978077/
[NT 51398] Summary:	"A fascinating glimpse at the collision of art and politics during the first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major ballet troupesquietly but effectively resisted Soviet cultural hegemony during this period"--er
[NT 50961] ISBN:	9780822978077electronic bk.
[NT 50961] ISBN:	0822978075electronic bk.
[NT 50961] ISBN:	9780822962144pbk.
[NT 50961] ISBN:	0822962144pbk.

Swans of the kremlin : ballet and power in soviet russia
Ezrahi, Christina

Swans of the kremlin : ballet and power in soviet russia / ChristinaEzrahi - Pittsburgh : University of Pittsburgh Press, 2012. - 1 online resource (368 p.).. - (Pitt russian east european).
ISBN 9780822978077ISBN 0822978075ISBN 9780822962144ISBN 0822962144
BalletDanceDance -- History -- History -- Political aspects -- Soviet Union -- Soviet Union -- Soviet Union

Swans of the kremlin : ballet and power in soviet russia
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330 $a "A fascinating glimpse at the collision of art and politics during the first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major ballet troupesquietly but effectively resisted Soviet cultural hegemony during this period"--er
330 $a "Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducatethe masses. As Christina Ezrahi's groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art. Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major troupes, the Mariinsky (laterKirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet's worldwide appeal. The troupes soon beclme the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period. Based on her extensive research into official archives, and personal interviews with many of theartists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. Shefollows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968. "--
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