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Transition cinema : political filmmaking andthe Argentine left since 1968
Record Type:
Electronic resources : monographic
Title Information:
political filmmaking andthe Argentine left since 1968
Author:
Stites MorJessica,
Secondary Intellectual Responsibility:
Project Muse
Place of Publication:
Pittsburgh
Published:
University of Pittsburgh Press;
Year of Publication:
2012
Description:
1 online resource (304 p.).
Series:
Illuminations: cultural formations of the Americas
Subject:
Politics in motion pictures -
Subject:
Motion picture industry - Political aspects - Argentina - 20thcentury -
Subject:
Motion pictures - Political aspects - Argentina -
Online resource:
http://muse.jhu.edu/books/9780822977971/
Notes:
Includes bibliographical references and index
ISBN:
9780822977971electronic bk.
ISBN:
0822977974electronic bk.
ISBN:
9780822961918pbk.
ISBN:
0822961911pbk.
Content Note:
Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion
Transition cinema : political filmmaking andthe Argentine left since 1968
Stites Mor, Jessica
Transition cinema
: political filmmaking andthe Argentine left since 1968 / Jessica Stites Mor - Pittsburgh : University of Pittsburgh Press, 2012. - 1 online resource (304 p.).. - (Illuminations: cultural formations of the Americas).
Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion.
Includes bibliographical references and index.
ISBN 9780822977971ISBN 0822977974ISBN 9780822961918ISBN 0822961911
Politics in motion picturesMotion picture industryMotion pictures -- Political aspects -- Political aspects -- Argentina -- Argentina -- 20thcentury
Transition cinema : political filmmaking andthe Argentine left since 1968
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Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion
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http://muse.jhu.edu/books/9780822977971/
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