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Knowing Shakespeare : senses, embodiment and cognition

[NT 42944] Record Type:	[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47348] Title Information:	senses, embodiment and cognition
[NT 47353] Alternative Intellectual Responsibility:	GallagherLowell, 1953-
[NT 47353] Alternative Intellectual Responsibility:	RamanShankar.,
[NT 47356] Secondary Intellectual Responsibility:	Palgrave Connect (Online service)
[NT 47351] Place of Publication:	Basingstoke, Hampshire New York
[NT 47263] Published:	Palgrave Macmillan;
[NT 47352] Year of Publication:	2010
[NT 47264] Description:	1 online resource (ix, 270 p.)
[NT 47298] Series:	Palgrave Shakespeare studies
[NT 47266] Subject:	Senses and sensation in literature. -
[NT 47266] Subject:	1564-1616. -
[NT 47266] Subject:	Criticism and interpretation. -
[NT 47266] Subject:	Shakespeare, William. -
[NT 47266] Subject:	LITERARY CRITICISM - Shakespeare. -
[NT 47266] Subject:	DRAMA - Shakespeare. -
[NT 51399] Personal Subject:	Shakespeare - William - Criticism and interpretation. -
[NT 51458] Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230299092An electronic book accessible through the World Wide Web; click for information
[NT 47265] Notes:	Description based on print version record.
[NT 51398] Summary:	Knowing Shakespeare describes the rich variance of embodied and sensory perception in early modern culture. The volume's cross-disciplinary emphasis enhances understanding of the 'sense' of sensing in Shakespeare's idiom by bringing schemes from early modern natural philosophy and rhetorical arts into critical conversation with concepts drawn from historical phenomenology, cognitive science and trauma theory. Collectively the essays, many of which are written by leading Shakespeare scholars, detail the range of issues; social, political, ethical, and aesthetic--to be found in the theatrical performance of diverse and sometimes competing languages and gestures of embodied, sensory perception on Shakespeare's stage. An important investment of many of the essays is to demonstrate how neglected legacies of philosophical scepticism and materialist developments in phenomenological thought shed light on the performative range of gender as embodied and voiced in Shakespeare's dramaturgy. The scope of the volume thus presents a timely survey of recent and innovative thinking about the critical role of the senses in Shakespeare.
[NT 50961] ISBN:	9780230299092electronic bk.
[NT 50961] ISBN:	0230299091electronic bk.
[NT 60779] Content Note:	Macbeth and the perils of conjecture / Sean H. McDowell Eying and wording in Cymbeline / Bruce R. Smith 'O, she's warm': touch in The winter's tale / Evelyn Tribble Falling into extremity / Patricia Cahill Roman world, Egyptian earth: cognitive difference in Shakespeare's Antony and Cleopatra / Mary Thomas Crane Hamlet in motion / Shankar Raman Artifactual knowledge in Hamlet / Howard Marchitello 'Rich eyes and poor hands': theaters of early modern experience / Adam Rzepka 'Repeat to me the words of the echo': listening to The tempest / Allison Kay Deutermann Mind the gaps: the ear, the eye, and the senses of a woman in Much ado about nothing / Diana E. Henderson.

Knowing Shakespeare : senses, embodiment and cognition
Knowing Shakespeare : senses, embodiment and cognition / edited by Lowell Gallagher and Shankar Raman. - Basingstoke, Hampshire New York : Palgrave Macmillan, 2010. - 1 online resource (ix, 270 p.). - (Palgrave Shakespeare studies).
Macbeth and the perils of conjecture / Sean H. McDowell.
Description based on print version record..
Includes bibliographical references and index..
ISBN 9780230299092ISBN 0230299091
Senses and sensation in literature.1564-1616.Criticism and interpretation.Shakespeare, William.LITERARY CRITICISMDRAMA -- Shakespeare. -- Shakespeare.

Gallagher, Lowell

Knowing Shakespeare : senses, embodiment and cognition
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