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Coleridge and the daemonic imagination

Record Type:	Electronic resources : monographic
Author:	LeadbetterGregory, 1975-
Secondary Intellectual Responsibility:	Palgrave Connect (Online service)
Place of Publication:	New York, N.Y.
Published:	Palgrave Macmillan;
Year of Publication:	2011
Description:	1 online resource.
Series:	Nineteenth-century major lives and letters
Subject:	Supernatural in literature. -
Subject:	Romanticism - England. -
Subject:	Coleridge, Samuel Taylor - 1772-1834 -
Subject:	Coleridge, Samuel Taylor - 1772-1834 -
Subject:	Coleridge, Samuel Taylor - 1772-1834 -
Subject:	Coleridge, Samuel Taylor - 1772-1834 -
Subject:	Coleridge, Samuel Taylor - 1772-1834 -
Subject:	Wordsworth, William - 1770-1850 -
Subject:	Literature. -
Subject:	LITERARY CRITICISM - European -
Subject:	LITERARY CRITICISM - Poetry. -
Subject:	LITERARY CRITICISM - General. -
Personal Subject:	Coleridge - Samuel Taylor - Criticism and interpretation. -
Personal Subject:	Coleridge - Samuel Taylor - Religion. -
Personal Subject:	Coleridge - Samuel Taylor - Psychology. -
Personal Subject:	Coleridge - Samuel Taylor - Philosophy. -
Personal Subject:	Coleridge - Samuel Taylor - Friends and associates. -
Personal Subject:	Wordsworth - William - Friends and associates. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230118522An electronic book accessible through the World Wide Web; click for information
Notes:	Description based on print version record.
Summary:	Fascinated by his own imagination, Coleridge secretly wrote that its characteristic blend of power and desire made him a 'Daemon': a being superstitiously feared as 'a something transnatural.' Coleridge and the Daemonic Imagination examines this simultaneous experience of exaltation and transgression as a formative principle in Coleridge's poetry and the fabric of his philosophy. In a reading that spans the breadth of Coleridge's achievement, through politics, religion and his relationship with Wordsworth, this book builds to a new interpretation of the poems where Coleridge's daemonic imagination produces its myths: 'The Rime of the Ancient Mariner, ' 'Kubla Khan' and 'Christabel.' Gregory Leadbetter reveals a Coleridge at once more familiar and more strange, in a study that unfolds into an essay on poetry, spirituality, and the drama of human becoming.
ISBN:	9780230118522electronic bk.
ISBN:	0230118526electronic bk.
Content Note:	The Willing Daemon: Coleridge and the Transnatural * "Pagan Philosophy" and the "Pride of Speculation": Spiritual Politics and the Metaphysical Imagination, 1795-1797�* "Not a Man, But a Monster": Organicism, Becoming and the Daemonic Imago�* Transnatural Language: The "Library-Cormorant" in the "Vernal Wood"�* "The Dark Green Adder's Tongue": Osorio and the "Poetry of Nature"�* "A Distinct Current of My Own": Poetry and the Uses of the Supernatural�* "The Rime of the Ancient Mariner"�* "Kubla Khan"�* "Christabel"��. Machine generated contents note: The Willing Daemon: Coleridge and the Transnatural "Pagan Philosophy" and the "Pride of Speculation" : Spiritual Politics and the Metaphysical Imagination, 1795-1797 "Not a Man, But a Monster" : Organicism, Becoming and the Daemonic Imago Transnatural Language: The "Library-Cormorant" in the "Vernal Wood" "The Dark Green Adder's Tongue": Osorio and the "Poetry of Nature" "A Distinct Current of My Own": Poetry and the Uses of the Supernatural "The Rime of the Ancient Mariner" "Kubla Khan" "Christabel."

Coleridge and the daemonic imagination
Leadbetter, Gregory

Coleridge and the daemonic imagination / Gregory Leadbetter. - New York, N.Y. : Palgrave Macmillan, 2011. - 1 online resource.. - (Nineteenth-century major lives and letters).
The Willing Daemon: Coleridge and the Transnatural * "Pagan Philosophy" and the "Pride of Speculation": Spiritual Politics and the Metaphysical Imagination, 1795-1797�* "Not a Man, But a Monster": Organicism, Becoming and the Daemonic Imago�* Transnatural Language: The "Library-Cormorant" in the "Vernal Wood"�* "The Dark Green Adder's Tongue": Osorio and the "Poetry of Nature"�* "A Distinct Current of My Own": Poetry and the Uses of the Supernatural�* "The Rime of the Ancient Mariner"�* "Kubla Khan"�* "Christabel"��..
Description based on print version record..
Includes bibliographical references..
ISBN 9780230118522ISBN 0230118526
Supernatural in literature.RomanticismColeridge, Samuel TaylorColeridge, Samuel TaylorColeridge, Samuel TaylorColeridge, Samuel TaylorColeridge, Samuel TaylorWordsworth, WilliamLiterature.LITERARY CRITICISMLITERARY CRITICISMLITERARY CRITICISM -- 1772-1834 -- 1772-1834 -- 1772-1834 -- 1772-1834 -- 1772-1834 -- 1770-1850 -- European -- Poetry. -- General. -- England.

Coleridge and the daemonic imagination
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200 1 $a Coleridge and the daemonic imagination $f Gregory Leadbetter.
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327 1 $a The Willing Daemon: Coleridge and the Transnatural * "Pagan Philosophy" and the "Pride of Speculation": Spiritual Politics and the Metaphysical Imagination, 1795-1797�* "Not a Man, But a Monster": Organicism, Becoming and the Daemonic Imago�* Transnatural Language: The "Library-Cormorant" in the "Vernal Wood"�* "The Dark Green Adder's Tongue": Osorio and the "Poetry of Nature"�* "A Distinct Current of My Own": Poetry and the Uses of the Supernatural�* "The Rime of the Ancient Mariner"�* "Kubla Khan"�* "Christabel"��. $a Machine generated contents note: $a The Willing Daemon: Coleridge and the Transnatural $a "Pagan Philosophy" and the "Pride of Speculation" : Spiritual Politics and the Metaphysical Imagination, 1795-1797 $a "Not a Man, But a Monster" : Organicism, Becoming and the Daemonic Imago $a Transnatural Language: The "Library-Cormorant" in the "Vernal Wood" $a "The Dark Green Adder's Tongue": Osorio and the "Poetry of Nature" $a "A Distinct Current of My Own": Poetry and the Uses of the Supernatural $a "The Rime of the Ancient Mariner" $a "Kubla Khan" $a "Christabel."
330 $a Fascinated by his own imagination, Coleridge secretly wrote that its characteristic blend of power and desire made him a 'Daemon': a being superstitiously feared as 'a something transnatural.' Coleridge and the Daemonic Imagination examines this simultaneous experience of exaltation and transgression as a formative principle in Coleridge's poetry and the fabric of his philosophy. In a reading that spans the breadth of Coleridge's achievement, through politics, religion and his relationship with Wordsworth, this book builds to a new interpretation of the poems where Coleridge's daemonic imagination produces its myths: 'The Rime of the Ancient Mariner, ' 'Kubla Khan' and 'Christabel.' Gregory Leadbetter reveals a Coleridge at once more familiar and more strange, in a study that unfolds into an essay on poetry, spirituality, and the drama of human becoming. $a "Fascinated by his own imagination, Coleridge secretly wrote that its characteristic blend of power and desire made him a "Daemon": a being superstitiously feared as "a something transnatural." Coleridge and the Daemonic Imagination examines this simultaneous experience of exaltation and transgression as a formative principle in Coleridge's poetry and the fabric of his philosophy. In a reading that spans the breadth of Coleridge's achievement, through politics, religion and his relationship with Wordsworth, this book builds to a new interpretation of the poems where Coleridge's daemonic imagination produces its myths: "The Rime of the Ancient Mariner," "Kubla Khan" and "Christabel." Gregory Leadbetter reveals a Coleridge at once more familiar and more strange, in a study that unfolds into an essay on poetry, spirituality, and the drama of human becoming"-- $a "Through politics, religion and his relationship with Wordsworth, the book builds to a new interpretation of the poems where Coleridge's daemonic imagination produces its myths: 'The Ancient Mariner', 'Kubla Khan' and 'Christabel'. Re-reading the origins of Romanticism, Leadbetter reveals a Coleridge at once more familiar and more strange"--
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