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[NT 33762] ISBD
Teaching creative writing
[NT 42944] Record Type:
[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47353] Alternative Intellectual Responsibility:
BeckHeather, 1965-
[NT 47351] Place of Publication:
Houndmills, Basingstoke, Hampshire New York, NY
[NT 47263] Published:
Palgrave MacMillian;
[NT 47352] Year of Publication:
c2012
[NT 47264] Description:
1 online resource (198 p.)
[NT 47298] Series:
Teaching the new English
[NT 47266] Subject:
Creative writing - Study and teaching. -
[NT 47266] Subject:
English language - Rhetoric -
[NT 47266] Subject:
LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing -
[NT 47266] Subject:
LANGUAGE ARTS & DISCIPLINES / Rhetoric -
[NT 47266] Subject:
REFERENCE / Writing Skills -
[NT 51458] Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137284464
[NT 47265] Notes:
Description based on print version record.
[NT 51398] Summary:
"Creative Writing is now taught in some form or other at most institutions of Higher Education in the UK and USA as well as in the rest of the world, and there has been a long ongoing dialogue between countries as this process has unfolded. This important book uses contributions from twenty-four academics in the UK and USA to give a comprehensive account of how Creative Writing is taught in Higher Education. Contributors examine a diverse range of topics, such as histories of Creative Writing, Creative Writing workshops, reflective activities, critical theory, Creative Writing at Undergraduate and Postgraduate levels, assessment, and information technology. The collection includes both newer and more established practitioners within the field, with all of these voices coming together to contribute to the intellectual infrastructure of Creative Writing as an emerging discipline within the context of Higher Education"--Provided by publisher.
[NT 50961] ISBN:
9781137284464electronic bk.
[NT 50961] ISBN:
1137284463electronic bk.
[NT 50961] ISBN:
9781283867306
[NT 50961] ISBN:
1283867303
[NT 60779] Content Note:
PART I. HISTORY. A Short History of Creative Writing in British Universities / G.Harper A History of Creative Writing in America / D.Henry On the Reform of Creative Writing / D.Myers PART II. WORKSHOPS. Creative Writing as Creative Reading in the Poetry Workshop / R.B.Du Plessis & J.Osman The Irrational Element in the Undergraduate Poetry Workshop: Beyond Craft / G.Hawkins The Creative Writing Workshop: A Survival Kit / M.Wandor PART III. UNDERGRADUATE. Undergraduate Creative Writing Provision in the UK: Origins, Trends, and Student Views / S.May Undergraduate Creative Writing in the USA: Buying in Isn't Selling Out / A.Leahy Hidden Purposes of Undergraduate Creative Writing: Power, Self, and Knowledge / H.Ostrom No Factories, Please: We're Writers / M.Freely PART IV. POSTGRADUATE. Teaching Creative Writing at Postgraduate Levels: the Sheffield Hallam Experience / S.Earnshaw Creative Writing and Ph.D Research / J.Cook A Critique of Postgraduate Workshops and a Case for Low Residency MFAs / R.Hemley PART V. REFLECTIVE ACTIVITIES. Reflections on Reflection: Supplementary Discourses in Creative Writing Teaching in the UK / R.Sheppard The Lynchpin in the Workshop: Student Critique and Reflection / S.Vanderslice From Wales to Vermont: A Round Trip: Creative Writing in the USA and UK / T.Curtis PART VI. CRITICAL THEORY. Thinking Systematically About What We Do / K.Haake Recreation, Critique, and Catalysis: Critical-Creative Rewriting in Theory and Practice / R.Pope Couplings, Matings, Hybridisations: What Writers Can Gain from Critical Theory / K.Lasky PART VI. ASSESSMENT. Assessment of Poetry in Higher Education: What Are the Limits? / M.S.Robert Assessment as Empowerment: Grading Entry-Level Creative Writing Students / M.Cantrell Ranking Student Writing as Bad Pedagogy and a Bogus Pretense of Objectivity / S.O'Connor PART VIII. INFORMATION TECHNOLOGY. New Tools for Timeless Work: Technological Advances in Creative Writing Pedagogy / J.A.Nieves & J.Moxley Lancaster University's Creative Writing MA by Distance Learning / G.Mort Further Reading Index.
Teaching creative writing
Teaching creative writing
/ edited by Heather Beck. - Houndmills, Basingstoke, Hampshire New York, NY : Palgrave MacMillian, c2012. - 1 online resource (198 p.). - (Teaching the new English).
PART I. HISTORY. A Short History of Creative Writing in British Universities / G.Harper.
Description based on print version record..
Includes bibliographical references and index..
ISBN 9781137284464ISBN 1137284463ISBN 9781283867306ISBN 1283867303
Creative writingEnglish languageLANGUAGE ARTS & DISCIPLINES / Composition & Creative WritingLANGUAGE ARTS & DISCIPLINES / RhetoricREFERENCE / Writing Skills -- Study and teaching. -- Rhetoric
Beck, Heather
Teaching creative writing
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Includes bibliographical references and index.
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PART I. HISTORY. A Short History of Creative Writing in British Universities / G.Harper
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A History of Creative Writing in America / D.Henry
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On the Reform of Creative Writing / D.Myers
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PART II. WORKSHOPS. Creative Writing as Creative Reading in the Poetry Workshop / R.B.Du Plessis & J.Osman
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The Irrational Element in the Undergraduate Poetry Workshop: Beyond Craft / G.Hawkins
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The Creative Writing Workshop: A Survival Kit / M.Wandor
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PART III. UNDERGRADUATE. Undergraduate Creative Writing Provision in the UK: Origins, Trends, and Student Views / S.May
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Undergraduate Creative Writing in the USA: Buying in Isn't Selling Out / A.Leahy
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Hidden Purposes of Undergraduate Creative Writing: Power, Self, and Knowledge / H.Ostrom
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No Factories, Please: We're Writers / M.Freely
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PART IV. POSTGRADUATE. Teaching Creative Writing at Postgraduate Levels: the Sheffield Hallam Experience / S.Earnshaw
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Creative Writing and Ph.D Research / J.Cook
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A Critique of Postgraduate Workshops and a Case for Low Residency MFAs / R.Hemley
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PART V. REFLECTIVE ACTIVITIES. Reflections on Reflection: Supplementary Discourses in Creative Writing Teaching in the UK / R.Sheppard
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The Lynchpin in the Workshop: Student Critique and Reflection / S.Vanderslice
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From Wales to Vermont: A Round Trip: Creative Writing in the USA and UK / T.Curtis
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PART VI. CRITICAL THEORY. Thinking Systematically About What We Do / K.Haake
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Recreation, Critique, and Catalysis: Critical-Creative Rewriting in Theory and Practice / R.Pope
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Couplings, Matings, Hybridisations: What Writers Can Gain from Critical Theory / K.Lasky
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PART VI. ASSESSMENT. Assessment of Poetry in Higher Education: What Are the Limits? / M.S.Robert
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Assessment as Empowerment: Grading Entry-Level Creative Writing Students / M.Cantrell
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Ranking Student Writing as Bad Pedagogy and a Bogus Pretense of Objectivity / S.O'Connor
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PART VIII. INFORMATION TECHNOLOGY. New Tools for Timeless Work: Technological Advances in Creative Writing Pedagogy / J.A.Nieves & J.Moxley
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Lancaster University's Creative Writing MA by Distance Learning / G.Mort
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Further Reading
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Index.
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"Creative Writing is now taught in some form or other at most institutions of Higher Education in the UK and USA as well as in the rest of the world, and there has been a long ongoing dialogue between countries as this process has unfolded. This important book uses contributions from twenty-four academics in the UK and USA to give a comprehensive account of how Creative Writing is taught in Higher Education. Contributors examine a diverse range of topics, such as histories of Creative Writing, Creative Writing workshops, reflective activities, critical theory, Creative Writing at Undergraduate and Postgraduate levels, assessment, and information technology. The collection includes both newer and more established practitioners within the field, with all of these voices coming together to contribute to the intellectual infrastructure of Creative Writing as an emerging discipline within the context of Higher Education"--Provided by publisher.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137284464
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