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Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance

Record Type:	Electronic resources : monographic
Title Information:	performance, race, and sexuality in the Harlem Renaissance
Author:	WilsonJames F,
Secondary Intellectual Responsibility:	Project Muse
Place of Publication:	Ann Arbor
Published:	University of Michigan Press;
Year of Publication:	c2010
Description:	1 online resource (ix, 260 p.)ill. :
Series:	Triangulations: lesbian/gay/queer theater/drama/performance
Subject:	Sex in the theater -
Subject:	Race in literature -
Subject:	African Americans in literature -
Subject:	Harlem Renaissance -
Subject:	Harlem (New York, N.Y.) - Intellectual life - 20th century -
Subject:	African Americans - Intellectual life - New York (State) -
Subject:	Theater - History - New York (State) - 20th century -
Subject:	African Americans in the performing arts - History - New York (State) - 20th century -
Subject:	American drama - History and criticism - 20th century -
Subject:	American drama - African American authors -
Online resource:	http://muse.jhu.edu/books/9780472026968/
Notes:	Includes bibliographical references and index
ISBN:	9780472026968electronic bk.
ISBN:	0472026968electronic bk.
ISBN:	9780472117253hbk.
ISBN:	0472117254hbk.
ISBN:	9780472034895pbk.
ISBN:	0472034898pbk.
Content Note:	Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belton the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best"

Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance
Wilson, James F

Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance / James F.Wilson - Ann Arbor : University of Michigan Press, c2010. - 1 online resource (ix, 260 p.) ; ill.. - (Triangulations: lesbian/gay/queer theater/drama/performance).
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belton the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".
Includes bibliographical references and index.
ISBN 9780472026968ISBN 0472026968ISBN 9780472117253ISBN 0472117254ISBN 9780472034895ISBN 0472034898
Sex in the theaterRace in literatureAfrican Americans in literatureHarlem RenaissanceHarlem (New York, N.Y.)African AmericansTheaterAfrican Americans in the performing artsAmerican dramaAmerican drama -- Intellectual life -- Intellectual life -- History -- History -- History and criticism -- African American authors -- New York (State) -- New York (State) -- New York (State) -- 20th century -- 20th century -- 20th century -- 20th century

Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance
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