| Record Type: |
Electronic resources
: monographic
|
| Title Information: |
music, technology, and the rise of configurable culture |
| Author: |
SinnreichAram, |
| Secondary Intellectual Responsibility: |
Project Muse |
| Place of Publication: |
Amherst |
| Published: |
University of Massachusetts Press; |
| Year of Publication: |
c2010 |
| Description: |
1 online resource (xxii, 241 p.)ill. : |
| Series: |
Science/technology/culture |
| Subject: |
Turntablism - |
| Subject: |
Remixes - History and criticism - |
| Subject: |
Mashups (Music) - History and criticism - |
| Subject: |
Music and technology - |
| Subject: |
Popular music - Social aspects - |
| Online resource: |
http://muse.jhu.edu/books/9781613760444/ |
| Notes: |
Includes bibliographical references and index |
| ISBN: |
9781613760444electronic bk. |
| ISBN: |
1613760442electronic bk. |
| ISBN: |
9781558498297pbk. |
| ISBN: |
155849829Xpbk. |
| ISBN: |
9781558498280hbk. |
| ISBN: |
1558498281hbk. |
| Content Note: |
The bust -- pt. I. When the mode of the music changes. Music as a controlled substance -- Themodern framework -- The crisis of configurability -- pt. II. Drawing lines in the sand. Yes, but isit art?: the art/craft binary -- Some kid in his bedroom: the artist/audience binary --Something borrowed, something new: the original/copy binary -- Live from a hard drive: The composition/performance binary -- Hooks and hearts: The figure/ground binary -- "He plays dictaphones, and she plays bricks": the materials/tools binary -- pt. III. The lessons: configurability and the new framework. Critique and co-optation -- "Plus ça change"or paradigm shift? |