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Visualities : perspectives on contemporary American Indian film and art
Record Type:
Electronic resources : monographic
Title Information:
perspectives on contemporary American Indian film and art
Secondary Intellectual Responsibility:
CummingsDenise K,
Secondary Intellectual Responsibility:
Project Muse
Place of Publication:
East Lansing
Published:
Michigan State University Press;
Year of Publication:
c2011
Description:
1 online resource (xxiv, 243 p.)ill. :
Series:
American Indian studies series
Subject:
Indian artists - Biography - United States -
Subject:
Indian art - United States -
Subject:
Indian motion picture producers and directors - Biography - United States -
Subject:
Indians in motion pictures -
Subject:
Indigenous films - United States -
Subject:
Visual communication - United States -
Subject:
Indians of North America - Ethnic identity -
Subject:
Indians of North America - Intellectual life -
Subject:
Arts and society - United States -
Subject:
Indian arts - United States -
Online resource:
http://muse.jhu.edu/books/9781609172312/
Notes:
Includes bibliographical references and index
ISBN:
9781609172312electronic bk.
ISBN:
9780870139994pbk.
ISBN:
0870139991pbk.
Content Note:
Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies: Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorshipand the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s)in The business of fancydancing / Theo. Van Alst -- Elusive identities: representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah JTsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen
Visualities : perspectives on contemporary American Indian film and art
Visualities
: perspectives on contemporary American Indian film and art / edited by Denise K. Cummings - East Lansing : Michigan State University Press, c2011. - 1 online resource (xxiv, 243 p.) ; ill.. - (American Indian studies series).
Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies: Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorshipand the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s)in The business of fancydancing / Theo. Van Alst -- Elusive identities: representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah JTsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.
Includes bibliographical references and index.
ISBN 9781609172312ISBN 9780870139994ISBN 0870139991
Indian artistsIndian artIndian motion picture producers and directorsIndians in motion picturesIndigenous filmsVisual communicationIndians of North AmericaIndians of North AmericaArts and societyIndian arts -- Biography -- Biography -- Ethnic identity -- Intellectual life -- United States -- United States -- United States -- United States -- United States -- United States -- United States
Cummings, Denise K
Visualities : perspectives on contemporary American Indian film and art
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Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies: Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorshipand the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s)in The business of fancydancing / Theo. Van Alst -- Elusive identities: representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah JTsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen
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http://muse.jhu.edu/books/9781609172312/
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