• Artaud and his doubles
  • Record Type: Electronic resources : monographic
    Author: JannaroneKimberly,
    Secondary Intellectual Responsibility: Project Muse
    Place of Publication: Ann Arbor, Mich.
    Published: University of Michigan Press;
    Year of Publication: c2010
    Description: 1 online resource (xiv, 253 p).
    Series: Theater: theory/text/performance
    Subject: Cruelty in literature -
    Subject: Drama - History and criticism -
    Subject: Experimental theater - History - France - 20th century -
    Personal Subject: Artaud - Antonin - Knowledge -
    Personal Subject: Artaud - Antonin - Criticism and interpretation -
    Online resource: http://muse.jhu.edu/books/9780472027941/
    Notes: Issued as part of UPCC book collections on Project MUSE
    Summary: This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice
    ISBN: 9780472027941electronic bk.
    ISBN: 9780472035151pbk.
    Content Note: The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness
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