| Record Type: |
Language materials, printed
: monographic
|
| Title Information: |
fashion & film from early cinema to the digital age |
| Author: |
PaulicelliEugenia, 1958- |
| Place of Publication: |
New York |
| Published: |
Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.; |
| Year of Publication: |
2016 |
| Description: |
xiii, 272 p., 16 p. of platesill (some col.) : 24 cm.; |
| Series: |
Topics and issues in national cinema |
| Subject: |
Motion pictures - History - Italy - |
| Subject: |
Fashion in motion pictures. - |
| Subject: |
Costume - Symbolic aspects - |
| Subject: |
National characteristics in motion pictures. - |
| Summary: |
"Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character"--Provided by publisher |
| ISBN: |
978-1-4411-8915-8bound |
| ISBN: |
1-4411-8915-7bound |
| Content Note: |
Machine generated contents note Part I. Fashion, cinema and Italian identity From France to Italy. fashion, modernity and film Nationalism: fashion as propaganda in the 1930s Part II. Towards the launch of Italian style through cinema, fashion and design From neorealism to the launch of Italian fashion (1942-1966) Fashion, film and consumption during the economic miracle. From Modernism to excess: Antonioni, Fellini and Visconti. Italian filmmakers and their transnational language The Italian road to modernity: between crisis,melodrama, comedy and critique Part III. From Rome to Milan: the crisis of couture and the launch of Milan Prêt-a-Porter Italian fashion brands and foreign movies: Giorgio Armani and American Gigolo, The Untouchables (1968-1980s) Film and fashion fostalgia in the new millennium: between the digital revolution, globalization and 'Made in Italy' |