| 紀錄類型: |
書目-電子資源
: 單行本
|
| 副題名: |
reality effects |
| 合作者: |
AndermannJens., |
| 合作者: |
Fern�andez-BravoAlvaro, 1964- |
| 其他團體作者: |
Palgrave Connect (Online service) |
| 出版地: |
New York |
| 出版者: |
Palgrave Macmillan; |
| 出版年: |
[2013] |
| 面頁冊數: |
1 online resource. |
| 集叢名: |
New directions in Latino American cultures |
| 標題: |
Motion pictures - Argentina. - |
| 標題: |
Motion picture industry - Argentina. - |
| 標題: |
Motion pictures - Brazil. - |
| 標題: |
Motion picture industry - Brazil. - |
| 標題: |
Motion pictures - Philosophy. - |
| 電子資源: |
http://www.palgraveconnect.com/doifinder/10.1057/9781137304834 |
| 附註: |
Description based on print version record. |
| 摘要註: |
Examining Brazilian and Argentine cinema of the last fifteen years, this volume charts the emergence of a new concern with the real, bringing together contributions from leading film scholars and critics from Latin America, Europe, and the United States. Comparing 'New Argentine Cinema" and the Brazilian 'Retomada,' the contributors read across the boundaries between documentary and fiction and trace new modes of deploying performance and re-enactment, found footage, and the interplay between film and television and theater. They shed light on similarities between and variations in different Latin American national cinemas' filmic discourses and production contexts and map these findings onto the larger context of current film theory. |
| ISBN: |
9781137304834electronic bk. |
| ISBN: |
1137304839electronic bk. |
| 內容註: |
1. �Cmera �lcida; Jo�s Carlos Avellar 2. Footprints: Risks and Achievements in New Argentine Cinema David Oub� PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY 3. Documentary Cinema and the Return of Past Events; And�ra Fra�na 4. Re-Enactment and Transmission in Contemporary Cinema; Ivone Margulies 5. The Return of the Natural: Landscape, Nature and the Place of Fiction; Edgardo Dieleke 6. Beyond Reflexivity: Acting and Experience in L�en, Rejtman and Coutinho; Joanna Page 7. The Scene and the Inscription of the Real; Cesar Guima�res PART II: ARCHIVES OF THE PRESENT 8. Global Periphery; Ivana Bentes 9. Exploding Buses: Jose Padilha and the Hijacking of Media; Tom Cohen 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001; Jens Andermann 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema; Mariano Mestman 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film; Domin Choi 13. The I as Other: the Real, the Archive and the Witness; Alvaro Fer�nndez Bravo 14. The Documentary Between the First and the Third Person; Gonzalo Aguilar. |