嶺東科技大學 |

Semiotics of exile in contemporary Chinese film

Record Type:	Electronic resources : monographic
Author:	ZengHong.,
Place of Publication:	New York, NY
Published:	Palgrave Macmillan;
Year of Publication:	2012
Description:	1 online resource.
Series:	Semiotics and popular culture
Subject:	Emigration and immigration in motion pictures. -
Subject:	Displacement (Psychology) in motion pictures. -
Subject:	Symbolism in motion pictures. -
Subject:	Motion pictures - China. -
Subject:	Motion pictures - Taiwan. -
Subject:	ART / Film & Video -
Subject:	PERFORMING ARTS / Film & Video / Reference -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137031631
Notes:	Description based on print version record.
Summary:	Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.
ISBN:	9781137031631electronic bk.
ISBN:	1137031638electronic bk.
Content Note:	Introduction Semiotics of photography and exile Postmodernism and semiotics of exile Female doubling and postcolonial exile Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" Failure of root-searching in Cheng Kaige Semiotics of exile and displaced film codes: Jia Zhangke's three films Conclusion.

Semiotics of exile in contemporary Chinese film
Zeng, Hong.

Semiotics of exile in contemporary Chinese film / Hong Zeng. - New York, NY : Palgrave Macmillan, 2012. - 1 online resource.. - (Semiotics and popular culture).
Introduction.
Description based on print version record..
Includes bibliographical references..
ISBN 9781137031631ISBN 1137031638
Emigration and immigration in motion pictures.Displacement (Psychology) in motion pictures.Symbolism in motion pictures.Motion picturesMotion picturesART / Film & VideoPERFORMING ARTS / Film & Video / Reference -- China. -- Taiwan.

Semiotics of exile in contemporary Chinese film
LDR:01550clm 2200289 4500 001 281945
005 20130621115212.0
009 ocn828143538
010 1 $a 9781137031631 $b electronic bk.
010 1 $a 1137031638 $b electronic bk.
100 $a 20140528
101 0 $a eng
102 $a us
135 $a v
200 1 $a Semiotics of exile in contemporary Chinese film $f Hong Zeng.
204 1 $a electronic resource
210 $a New York, NY $d 2012 $c Palgrave Macmillan
215 1 $a 1 online resource.
225 1 $a Semiotics and popular culture
300 $a Description based on print version record.
320 $a Includes bibliographical references.
327 1 $a Introduction $a Semiotics of photography and exile $a Postmodernism and semiotics of exile $a Female doubling and postcolonial exile $a Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" $a Failure of root-searching in Cheng Kaige $a Semiotics of exile and displaced film codes: Jia Zhangke's three films $a Conclusion.
330 $a Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.
410 0 $a Semiotics and popular culture.
606 $a Emigration and immigration in motion pictures. $3 303894
606 $a Displacement (Psychology) in motion pictures. $3 310604
606 $a Symbolism in motion pictures. $3 310605
606 $a Motion pictures $y China. $3 310606
606 $a Motion pictures $y Taiwan. $3 305523
606 $a ART / Film & Video $2 bisacsh $3 307318
606 $a PERFORMING ARTS / Film & Video / Reference $2 bisacsh $3 307319
676 $v 23 $a 791.430951
680 $a PN1995.9.E44 $b Z46 2012
700 1 $a Zeng $b Hong. $3 310603
801 0 $a tw $b ltu
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137031631