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Semiotics of exile in contemporary Chinese film
紀錄類型:
書目-電子資源 : 單行本
作者:
ZengHong.,
出版地:
New York, NY
出版者:
Palgrave Macmillan;
出版年:
2012
面頁冊數:
1 online resource.
集叢名:
Semiotics and popular culture
標題:
Emigration and immigration in motion pictures. -
標題:
Displacement (Psychology) in motion pictures. -
標題:
Symbolism in motion pictures. -
標題:
Motion pictures - China. -
標題:
Motion pictures - Taiwan. -
標題:
ART / Film & Video -
標題:
PERFORMING ARTS / Film & Video / Reference -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137031631
附註:
Description based on print version record.
摘要註:
Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.
ISBN:
9781137031631electronic bk.
ISBN:
1137031638electronic bk.
內容註:
Introduction Semiotics of photography and exile Postmodernism and semiotics of exile Female doubling and postcolonial exile Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" Failure of root-searching in Cheng Kaige Semiotics of exile and displaced film codes: Jia Zhangke's three films Conclusion.
Semiotics of exile in contemporary Chinese film
Zeng, Hong.
Semiotics of exile in contemporary Chinese film
/ Hong Zeng. - New York, NY : Palgrave Macmillan, 2012. - 1 online resource.. - (Semiotics and popular culture).
Introduction.
Description based on print version record..
Includes bibliographical references..
ISBN 9781137031631ISBN 1137031638
Emigration and immigration in motion pictures.Displacement (Psychology) in motion pictures.Symbolism in motion pictures.Motion picturesMotion picturesART / Film & VideoPERFORMING ARTS / Film & Video / Reference -- China. -- Taiwan.
Semiotics of exile in contemporary Chinese film
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Introduction
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Female doubling and postcolonial exile
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Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town"
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Failure of root-searching in Cheng Kaige
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Semiotics of exile and displaced film codes: Jia Zhangke's three films
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