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Japanese cinema goes global : filmworkers' journeys
Record Type:
Electronic resources : monographic
Title Information:
filmworkers' journeys
Author:
TezukaYoshiharu,
Secondary Intellectual Responsibility:
Project Muse
Place of Publication:
Hong Kong [China]
Published:
Hong Kong University Press;
Year of Publication:
c2012
Description:
1 online resource (x, 200 p.).
Series:
TransAsia : screen cultures
Subject:
Culture and globalization - Japan -
Subject:
Motion pictures - Social aspects - Japan -
Subject:
Motion pictures and globalization - Japan -
Subject:
Motion picture industry - History - Japan -
[NT 51458] Online resource:
http://muse.jhu.edu/books/9789888053872/
[NT 47265] Notes:
Issued as part of UPCC book collections on Project MUSE
[NT 51398] Summary:
Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within theinternational industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been throughthe globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
[NT 50961] ISBN:
9789888053872electronic bk.
[NT 50961] ISBN:
9888053876electronic bk.
[NT 50961] ISBN:
9789888083329hbk.
[NT 60779] Content Note:
Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism
Japanese cinema goes global : filmworkers' journeys
Tezuka, Yoshiharu
Japanese cinema goes global
: filmworkers' journeys / Yoshiharu Tezuka - Hong Kong [China] : Hong Kong University Press, c2012. - 1 online resource (x, 200 p.).. - (TransAsia : screen cultures).
Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
Issued as part of UPCC book collections on Project MUSEIncludes bibliographical references (p. [181]-196) and index.
ISBN 9789888053872ISBN 9888053876ISBN 9789888083329
Culture and globalizationMotion picturesMotion pictures and globalizationMotion picture industry -- Social aspects -- History -- Japan -- Japan -- Japan -- Japan
Japanese cinema goes global : filmworkers' journeys
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Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism
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Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within theinternational industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been throughthe globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
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http://muse.jhu.edu/books/9789888053872/
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