• Japanese cinema goes global : filmworkers' journeys
  • 紀錄類型: 書目-電子資源 : 單行本
    副題名: filmworkers' journeys
    作者: TezukaYoshiharu,
    其他團體作者: Project Muse
    出版地: Hong Kong [China]
    出版者: Hong Kong University Press;
    出版年: c2012
    面頁冊數: 1 online resource (x, 200 p.).
    集叢名: TransAsia : screen cultures
    標題: Culture and globalization - Japan -
    標題: Motion pictures - Social aspects - Japan -
    標題: Motion pictures and globalization - Japan -
    標題: Motion picture industry - History - Japan -
    電子資源: http://muse.jhu.edu/books/9789888053872/
    附註: Issued as part of UPCC book collections on Project MUSE
    摘要註: Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within theinternational industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been throughthe globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
    ISBN: 9789888053872electronic bk.
    ISBN: 9888053876electronic bk.
    ISBN: 9789888083329hbk.
    內容註: Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism
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