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Screens and veils : Maghrebi women's cinema

Record Type:	Electronic resources : monographic
Title Information:	Maghrebi women's cinema
Author:	MartinFlorence, 1959-
Secondary Intellectual Responsibility:	Project Muse
Place of Publication:	Bloomington
Published:	Indiana University Press;
Year of Publication:	c2011
Description:	1 online resource (x, 271 p.)ill. :
Series:	New directions in national cinemas
Subject:	Women in motion pictures -
Subject:	Motion pictures - Social aspects - Africa, North -
Subject:	Women motion picture producers and directors - Africa, North -
Subject:	Motion pictures - History - Africa, North - 21st century -
Subject:	Motion pictures - History - Africa, North - 20th century -
Subject:	Africa, North - In motion pictures -
Online resource:	http://muse.jhu.edu/books/9780253005656/
Notes:	Includes bibliographical references and index
ISBN:	9780253005656electronic bk.
ISBN:	0253005655electronic bk.
ISBN:	9780253356680hbk.
ISBN:	9780253223418pbk.
Content Note:	Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda

Screens and veils : Maghrebi women's cinema
Martin, Florence

Screens and veils : Maghrebi women's cinema / Florence Martin - Bloomington : Indiana University Press, c2011. - 1 online resource (x, 271 p.) ; ill.. - (New directions in national cinemas).
Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
Includes bibliographical references and index.
ISBN 9780253005656ISBN 0253005655ISBN 9780253356680ISBN 9780253223418
Women in motion picturesMotion picturesWomen motion picture producers and directorsMotion picturesMotion pictures -- Social aspects -- History -- History -- Africa, North -- Africa, North -- Africa, North -- Africa, North -- 21st century -- 20th century

Screens and veils : Maghrebi women's cinema
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