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Screens and veils : Maghrebi women's cinema

紀錄類型:	書目-電子資源 : 單行本
副題名:	Maghrebi women's cinema
作者:	MartinFlorence, 1959-
其他團體作者:	Project Muse
出版地:	Bloomington
出版者:	Indiana University Press;
出版年:	c2011
面頁冊數:	1 online resource (x, 271 p.)ill. :
集叢名:	New directions in national cinemas
標題:	Women in motion pictures -
標題:	Motion pictures - Social aspects - Africa, North -
標題:	Women motion picture producers and directors - Africa, North -
標題:	Motion pictures - History - Africa, North - 21st century -
標題:	Motion pictures - History - Africa, North - 20th century -
標題:	Africa, North - In motion pictures -
電子資源:	http://muse.jhu.edu/books/9780253005656/
附註:	Includes bibliographical references and index
ISBN:	9780253005656electronic bk.
ISBN:	0253005655electronic bk.
ISBN:	9780253356680hbk.
ISBN:	9780253223418pbk.
內容註:	Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda

Screens and veils : Maghrebi women's cinema
Martin, Florence

Screens and veils : Maghrebi women's cinema / Florence Martin - Bloomington : Indiana University Press, c2011. - 1 online resource (x, 271 p.) ; ill.. - (New directions in national cinemas).
Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
Includes bibliographical references and index.
ISBN 9780253005656ISBN 0253005655ISBN 9780253356680ISBN 9780253223418
Women in motion picturesMotion picturesWomen motion picture producers and directorsMotion picturesMotion pictures -- Social aspects -- History -- History -- Africa, North -- Africa, North -- Africa, North -- Africa, North -- 21st century -- 20th century

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