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Introduction : the pretty as troublesome image From aesthetics to film aesthetics : or, beauty and truth redux Colors : Derek Jarman and queer aesthetics Ornament and modernity : from decorative art to cultural criticism Objects : oriental style and the arabesques of Moulin Rouge! At the crossroads : iconoclasm and the anti-aesthetic in postwar film and theory Forms : Soy Cuba and revolutionary beauty Perverse prettiness : sexuality, gender, and aesthetic exclusion Bodies : the sumptuous charms of Ulrike Ottinger Postscript : toward a worldly image |