紀錄類型: |
書目-電子資源
: 單行本
|
作者: |
FurrDerek., |
其他團體作者: |
Palgrave Connect (Online service) |
出版地: |
Basingstoke |
出版者: |
Palgrave Macmillan; |
出版年: |
c2010 |
面頁冊數: |
1 online resource (viii, 198 p.)ill. : |
標題: |
American poetry - History and criticism. - 20th century - |
標題: |
Oral interpretation of poetry - History. - |
標題: |
Sound recordings and the arts - History. - United States - |
標題: |
LITERARY CRITICISM - Poetry. - |
電子資源: |
http://www.palgraveconnect.com/doifinder/10.1057/9780230109919An electronic book accessible through the World Wide Web; click for information |
附註: |
Description based on print version record. |
摘要註: |
Listening to poets read their work focuses critical attention on the craft of the poem, while raising questions about the relationship between social history, technology, and the poet's "voice." Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell offers an analysis of a wide range of recordings, from commercial and amateur, to official studio sessions, to ephemeral events captured on reel-to-reel tape. Through the mid-century performances of poets such as Elizabeth Bishop, Dylan Thomas and Anne Sexton, Derek Furr draws penetrating new conclusions about how and why poetry was recorded in the U.S. from the 1930s to the 1970s. |
ISBN: |
9780230109919electronic bk. |
ISBN: |
0230109918electronic bk. |
內容註: |
Making poetry records, remaking poetic voices: Caedmon and the Library of Congress Poets and critics live at the forum: the occasional recording and Elizabeth Bishop Authenticity and audience: Millay, Sexton, and vocal connections Impersonations: poets, preachers, teachers, and the remaking of God's Trombones. |