紀錄類型: |
書目-電子資源
: 單行本
|
作者: |
AllenStuart James, 1971- |
其他團體作者: |
Palgrave Connect (Online service) |
出版地: |
New York |
出版者: |
Palgrave Macmillan; |
出版年: |
2010 |
面頁冊數: |
1 online resource (xxiii, 191 p.) |
標題: |
Emotions in literature. - |
標題: |
Poetry - Psychological aspects. - |
標題: |
Affect (Psychology) - |
標題: |
1770-1850. - |
標題: |
Aesthetics. - |
標題: |
Criticism and interpretation. - |
標題: |
Poetry. - |
標題: |
Psychological aspects. - |
標題: |
Wordsworth, William. - |
標題: |
POETRY - English, Irish, Scottish, Welsh. - |
標題: |
Wordsworth - William - Criticism and interpretation. - |
標題: |
Wordsworth - William - Aesthetics. - |
電子資源: |
http://www.palgraveconnect.com/doifinder/10.1057/9780230283343An electronic book accessible through the World Wide Web; click for information |
附註: |
Description based on print version record. |
摘要註: |
Defining poetry as the 'overflow of powerful feelings' and 'emotion recollected in tranquillity', Wordsworth adopts two of the key claims of British Whig aesthetics: the centrality of affect to human being, and the need to regulate said affect. Wordsworth continues that poetry is feeling and that the metered pleasure of poetry makes it possible for the reader to field emotions otherwise difficult to bear. Wordsworth and the Passions of Critical Poetics presents a new political Wordsworth: an artist who regards poetry as a 'relatively autonomous' space in which to liberate, experiment with, and redistribute affect. No slave of Whig ideology, Wordsworth investigates how poetic emotion generates human experience and meaning. He renders poetry a critical instrument that, through its acute sensitivity to feeling, can evaluate public and private life. If Whig feeling is the origin of Wordsworth's poetry, pleasure in and of itself, available to all, is its end. |
ISBN: |
9780230283343electronic bk. |
ISBN: |
0230283349electronic bk. |
內容註: |
Introduction: Poetry, Feeling and Criticism Shaftesbury, Wordsworth and Affective Critique Burke, Wordsworth and the Poet Poetry and the Liberty of Feeling Wordsworth's Ear and the Place of Aesthetic Autonomy Poetry and Embodiment Melancholy and Affirmation Conclusion. |