| 紀錄類型: |
書目-電子資源
: 單行本
|
| 副題名: |
Irigaray, cinema and thinking women |
| 作者: |
BoltonLucy., |
| 其他團體作者: |
Palgrave Connect (Online service) |
| 出版地: |
Basingstoke [England] New York, NY |
| 出版者: |
Palgrave Macmillan; |
| 出版年: |
2011 |
| 面頁冊數: |
1 online resource (256 p.)ill. : |
| 標題: |
Women in motion pictures. - |
| 標題: |
Motion pictures and women. - |
| 標題: |
Feminism and motion pictures. - |
| 標題: |
Feminist film criticism. - |
| 標題: |
ART / Film & Video - |
| 標題: |
PERFORMING ARTS / Film & Video / Reference - |
| 標題: |
Irigaray - Luce - Criticism and interpretation. - |
| 電子資源: |
http://www.palgraveconnect.com/doifinder/10.1057/9780230308695 |
| 附註: |
Description based on print version record. |
| 摘要註: |
Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness. Drawing on the philosophy of Luce Irigaray in relation to women's cultivation of self-knowledge, this book examines female characters as they go through processes of transition or transformation. Bolton's approach demonstrates how the encounter between Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Through meticulous theoretical positioning, and close textual analysis, Bolton shows how cinema can create works of philosophy that investigate questions of personal identity, sexuality and relationships with others. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema. |
| ISBN: |
9780230308695electronic bk. |
| ISBN: |
0230308694electronic bk. |
| 內容註: |
Acknowledgements Abbreviations Introduction 'Frozen in Showcases': Feminist Film Theory and the Abstraction of Woman The Camera as an Irigarayan Speculum In the Cut: Self-Endangerment or Subjective Strength? Lost in Translation: The Potential of Becoming Morvern Callar: In a Sensory Wonderland Architects of Beauty and the Crypts of Our Bodies: Implications for Filmmaking and Spectatorship Concluding Remarks: The Object is Speaking Bibliography Filmography Discography Notes Index. Introduction 'Frozen in showcases' : feminist film theory and the abstraction of woman The clmera as an Irigarayan speculum In the cut : self-endangerment or subjective strength? Lost in translation : the potential of becoming Morvern Callar : in a sensory wonderland Architects of beauty and the crypts of our bodies : implications for filmmaking and spectatorship Concluding remarks : the object is speaking. |