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The politics of affect and emotion in contemporary Latin American cinema : Argentina, Brazil, Cuba, and Mexico

[NT 42944] Record Type:	[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47348] Title Information:	Argentina, Brazil, Cuba, and Mexico
[NT 47261] Author:	PodalskyLaura, 1964-
[NT 47356] Secondary Intellectual Responsibility:	Palgrave Connect (Online service)
[NT 47351] Place of Publication:	New York
[NT 47263] Published:	Palgrave Macmillan;
[NT 47352] Year of Publication:	2011
[NT 47264] Description:	1 online resource (x, 218 p.)
[NT 47266] Subject:	Motion pictures - Political aspects - Latin America. -
[NT 47266] Subject:	Motion pictures - Social aspects - Latin America. -
[NT 47266] Subject:	Motion pictures - History - Latin America - 20th century. -
[NT 47266] Subject:	Motion pictures - History - Latin America - 21st century. -
[NT 47266] Subject:	Fine Arts. -
[NT 47266] Subject:	PERFORMING ARTS - Film & Video -
[NT 51458] Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230120112An electronic book accessible through the World Wide Web; click for information
[NT 47265] Notes:	Description based on print version record.
[NT 51398] Summary:	This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film.
[NT 50961] ISBN:	9780230120112electronic bk.
[NT 50961] ISBN:	0230120113electronic bk.
[NT 50961] ISBN:	9780230347403
[NT 50961] ISBN:	0230347401
[NT 50961] ISBN:	9786613266309
[NT 50961] ISBN:	6613266302
[NT 60779] Content Note:	Between Neo-realist Sentimentality and Modernist Shock: New Latin American Cinema and Beyond * Thrilling Histories: Questions of Genre and History * Affecting Legacies: Contemporary Structures of Feeling * Alien/Nation: Contemporary Youth in Film * Emotional Investments: Global Networks and Transnational Affective Communities. Machine generated contents note: Between Neo-realist Sentimentality and Modernist Shock: New Latin American Cinema and Beyond * Thrilling Histories: Questions of Genre and History * Affecting Legacies: Contemporary Structures of Feeling * Alien/Nation: Contemporary Youth in Film * Emotional Investments: Global Networks and Transnational Affective Communities.

The politics of affect and emotion in contemporary Latin American cinema : Argentina, Brazil, Cuba, and Mexico
Podalsky, Laura

The politics of affect and emotion in contemporary Latin American cinema : Argentina, Brazil, Cuba, and Mexico / Laura Podalsky. - New York : Palgrave Macmillan, 2011. - 1 online resource (x, 218 p.).
Between Neo-realist Sentimentality and Modernist Shock: New Latin American Cinema and Beyond * Thrilling Histories: Questions of Genre and History * Affecting Legacies: Contemporary Structures of Feeling * Alien/Nation: Contemporary Youth in Film * Emotional Investments: Global Networks and Transnational Affective Communities..
Description based on print version record..
Includes bibliographical references and index..
ISBN 9780230120112ISBN 0230120113ISBN 9780230347403ISBN 0230347401ISBN 9786613266309ISBN 6613266302
Motion picturesMotion picturesMotion picturesMotion picturesFine Arts.PERFORMING ARTS -- Political aspects -- Social aspects -- History -- History -- Film & Video -- Latin America. -- Latin America. -- Latin America -- Latin America -- 20th century. -- 21st century.

The politics of affect and emotion in contemporary Latin American cinema : Argentina, Brazil, Cuba, and Mexico
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300 $a Description based on print version record.
320 $a Includes bibliographical references and index.
327 1 $a Between Neo-realist Sentimentality and Modernist Shock: New Latin American Cinema and Beyond * Thrilling Histories: Questions of Genre and History * Affecting Legacies: Contemporary Structures of Feeling * Alien/Nation: Contemporary Youth in Film * Emotional Investments: Global Networks and Transnational Affective Communities. $a Machine generated contents note: $a Between Neo-realist Sentimentality and Modernist Shock: New Latin American Cinema and Beyond * Thrilling Histories: Questions of Genre and History * Affecting Legacies: Contemporary Structures of Feeling * Alien/Nation: Contemporary Youth in Film * Emotional Investments: Global Networks and Transnational Affective Communities.
330 $a This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film. $a "This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film"--
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606 $a Motion pictures $x History $y Latin America $z 21st century. $3 307684
606 $a Fine Arts. $3 302838
606 $a PERFORMING ARTS $x Film & Video $x History & Criticism. $2 bisacsh $3 305192
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