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Psychoanalyzing cinema : a productive encounter with Lacan, Deleuze, and Zizek
紀錄類型:
書目-電子資源 : 單行本
副題名:
a productive encounter with Lacan, Deleuze, and Zizek
合作者:
JagodzinskiJan, 1948-
出版地:
New York, NY
出版者:
Palgrave Macmillan;
出版年:
[2012]
面頁冊數:
1 online resource.
標題:
Psychoanalysis and motion pictures. -
標題:
Motion pictures - Psychological aspects. -
標題:
SOCIAL SCIENCE / Media Studies. -
標題:
PERFORMING ARTS / Film & Video / History & Criticism. -
標題:
PERFORMING ARTS / Film & Video / Screenwriting. -
標題:
ART / Film & Video -
標題:
PERFORMING ARTS / Film & Video / Reference -
標題:
Lacan - Jacques - Criticism and interpretation. -
標題:
Deleuze - Gilles - Criticism and interpretation. -
標題:
�Zi�zek - Slavoj - Criticism and interpretation. -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137116949
附註:
Description based on print version record.
摘要註:
"Brings together and compares/contrasts the writing/influence of the two most important theorists in film studies today: Gilles Deleuze and Slavoj Zizek"--
ISBN:
9781137116949electronic bk.
ISBN:
1137116943electronic bk.
ISBN:
0230338550
ISBN:
9780230338555
ISBN:
9781283737289
ISBN:
1283737280
Psychoanalyzing cinema : a productive encounter with Lacan, Deleuze, and Zizek
Psychoanalyzing cinema
: a productive encounter with Lacan, Deleuze, and Zizek / [edited by] Jan Jagodzinski. - New York, NY : Palgrave Macmillan, [2012]. - 1 online resource..
Description based on print version record..
Includes bibliographical references..
ISBN 9781137116949ISBN 1137116943ISBN 0230338550ISBN 9780230338555ISBN 9781283737289ISBN 1283737280
Psychoanalysis and motion pictures.Motion picturesSOCIAL SCIENCE / Media Studies.PERFORMING ARTS / Film & Video / History & Criticism.PERFORMING ARTS / Film & Video / Screenwriting.ART / Film & VideoPERFORMING ARTS / Film & Video / Reference -- Psychological aspects.
Jagodzinski, Jan
Psychoanalyzing cinema : a productive encounter with Lacan, Deleuze, and Zizek
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"Psychoanalysis and schizoanalysis have provided two very powerful approaches to film and its theorization. While the former approach has certainly held the field in terms of theory, the latter position has emerged as its rival, forcing an encounter that needs to be taken seriously. Where does one approach leave off and the other begin? Is there such a break, or has such a line been 'trumped up' by both sides to hold on to their territories? Are both approaches necessary to one another, recalling that Deleuze and Guattari's criticism of psychoanalysis was basically confined to Freud at first. They were quite satisfied with Lacan's development of objet a, or at least as they wrote about it in Anti-Oedipus. A number of theorists have argued that Deleuze and Guattari have 'simply' continued to articulate the Real. To what extent can objet a and the Deleuzian 'event' be theorized as synonymous or complementary concepts? Is the Lacanian sinthome as applied to film comparable to schizoanalysis of film, and what might that be? This is to say, the late Lacan is much more useful to the question(s) than the Lacan of Screen theory etc. A productive encounter (I am utilizing this grapheme ( \/ ) specifically for this encounter) needs to take place to explore the tensions as well as the overlaps that exist between these two approaches. These essays attempt to do just that"--
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http://www.palgraveconnect.com/doifinder/10.1057/9781137116949
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