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Romanticism, medicine and the natural supernatural : transcendent vision and bodily spectres 1789-1852
[NT 42944] Record Type:
[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47348] Title Information:
transcendent vision and bodily spectres 1789-1852
[NT 47261] Author:
BudgeGavin.,
[NT 47351] Place of Publication:
Basingstoke, Hampshire New York, NY
[NT 47263] Published:
Palgrave Macmillan;
[NT 47352] Year of Publication:
2012
[NT 47264] Description:
1 online resource.
[NT 47266] Subject:
English literature - History and criticism. - 18th century -
[NT 47266] Subject:
English literature - History and criticism. - 19th century -
[NT 47266] Subject:
Romanticism - History - Great Britain - 18th century. -
[NT 47266] Subject:
Romanticism - History - Great Britain - 19th century. -
[NT 47266] Subject:
Literature and medicine. -
[NT 47266] Subject:
Human body in literature. -
[NT 47266] Subject:
Supernatural in literature. -
[NT 47266] Subject:
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh -
[NT 51458] Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137284310
[NT 47265] Notes:
Description based on print version record.
[NT 51398] Summary:
Romanticism, Medicine and the Natural Supernatural" explores the relationship between the Romantic preoccupation with visionary kinds of experience and early nineteenth-century medical theories of hallucination and the nerves, placing it in the context of accounts of perception in philosophical empiricism. Starting with an examination of Ann Radcliffe's Gothic narrative, and the canonical Romanticism of Wordsworth and Coleridge, the book goes on to examine the persistence of this medical topos of hallucination and the visionary in mid nineteenth-century writers influenced by Romanticism, such as Harriet Martineau and Harriet Beecher Stowe. The book concludes with a discussion of how the pathological language employed in early debates about Pre-Raphaelite painting reflects this Romantic conception of the interrelationship between nervous strain, hallucination and vision.
[NT 50961] ISBN:
9781137284310electronic bk.
[NT 50961] ISBN:
1137284315electronic bk.
[NT 60779] Content Note:
Introduction Radcliffe and the spectral scene of reading Erasmus Darwin and Wordsworth's poetics Indigestion and Coleridge's medical imagination Irritability and the politics of Deerbrook Slavery and mass society in Uncle Tom's cabin The hallucination of the real: pre-Raphaelite vision, democracy and masculinity Conclusion: nineteenth-century medicine and the genealogy of English studies.
Romanticism, medicine and the natural supernatural : transcendent vision and bodily spectres 1789-1852
Budge, Gavin.
Romanticism, medicine and the natural supernatural
: transcendent vision and bodily spectres 1789-1852 / Gavin Budge. - Basingstoke, Hampshire New York, NY : Palgrave Macmillan, 2012. - 1 online resource..
Introduction.
Description based on print version record..
Includes bibliographical references and index..
ISBN 9781137284310ISBN 1137284315
English literatureEnglish literatureRomanticismRomanticismLiterature and medicine.Human body in literature.Supernatural in literature.LITERARY CRITICISM / European / English, Irish, Scottish, Welsh -- History and criticism. -- History and criticism. -- History -- History -- Great Britain -- Great Britain -- 18th century -- 19th century -- 18th century. -- 19th century.
Romanticism, medicine and the natural supernatural : transcendent vision and bodily spectres 1789-1852
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Romanticism, Medicine and the Natural Supernatural" explores the relationship between the Romantic preoccupation with visionary kinds of experience and early nineteenth-century medical theories of hallucination and the nerves, placing it in the context of accounts of perception in philosophical empiricism. Starting with an examination of Ann Radcliffe's Gothic narrative, and the canonical Romanticism of Wordsworth and Coleridge, the book goes on to examine the persistence of this medical topos of hallucination and the visionary in mid nineteenth-century writers influenced by Romanticism, such as Harriet Martineau and Harriet Beecher Stowe. The book concludes with a discussion of how the pathological language employed in early debates about Pre-Raphaelite painting reflects this Romantic conception of the interrelationship between nervous strain, hallucination and vision.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137284310
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