| 紀錄類型: |
書目-電子資源
: 單行本
|
| 副題名: |
from the studio to the street |
| 作者: |
RobinsonLuke., |
| 出版地: |
Basingstoke |
| 出版者: |
Palgrave Macmillan; |
| 出版年: |
2013 |
| 面頁冊數: |
1 online resource. |
| 標題: |
Documentary films - History and criticism. - China - |
| 標題: |
ART / Film & Video - |
| 標題: |
PERFORMING ARTS / Film & Video / Reference - |
| 電子資源: |
http://www.palgraveconnect.com/doifinder/10.1057/9781137271228 |
| 附註: |
Description based on publisher supplied information; title not viewed. |
| 摘要註: |
In the past twenty years, China has witnessed the flowering of an independent documentary cinema characterized by a particular verite aesthetic. "Independent Chinese Documentary" traces the roots of this style back to the 1980s, and the gradual abandonment of studio-based filmmaking, dominant during the Maoist era, for shooting live and on location. Known in Chinese as "xianchang" - or being on 'the scene' - this documentary practice is partly distinguished by its embrace of the contingent. Through a series of synoptic case studies, this book considers the different ways in which contingency manifests in independent Chinese documentary; the practical and aesthetic challenges its mediation presents for individual film directors; and the reasons for the quality's significance, set against the backdrop of China's ongoing postsocialist transition, and the consequences of this process for the very act of documentary representation itself. |
| ISBN: |
9781137271228electronic bk. |
| ISBN: |
1137271221electronic bk. |
| 內容註: |
Mapping Independent Chinese Documentary Metaphor and Event Time, Space and Movement Ethics, the Body and Digital Video Sound and Voice Conclusion Bibliography Films and Television Programmes Referenced. |