• The symbolic, the sublime, and Slavoj 嬚i憴ek's theory of film
  • [NT 42944] Record Type: [NT 8598] Electronic resources : [NT 40817] monographic
    [NT 47261] Author: FlisfederMatthew, 1980-
    [NT 47356] Secondary Intellectual Responsibility: Palgrave Connect (Online service)
    [NT 47351] Place of Publication: New York
    [NT 47263] Published: Palgrave Macmillan;
    [NT 47352] Year of Publication: 2012
    [NT 47264] Description: 1 online resource (195 p.)ill. :
    [NT 47266] Subject: Motion pictures - Philosophy. -
    [NT 51399] Personal Subject: 嬚i憴ek - Slavoj - Criticism and interpretation. -
    [NT 51458] Online resource: http://www.palgraveconnect.com/doifinder/10.1057/9781137110749An electronic book accessible through the World Wide Web; click for information
    [NT 47265] Notes: Description based on print version record.
    [NT 51398] Summary: Slavoj 嬚i憴ek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as "The Pervert's Guide to Cinema" and "Examined Life". Although Slavoj 嬚i憴ek refers to cinema in order to help explain difficult concepts in his theoretical writing, film scholars question whether Slavoj 嬚i憴ek has his own theory of film. This book argues that Slavoj 嬚i憴ek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj 嬚i憴ek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
    [NT 50961] ISBN: 9781137110749electronic bk.
    [NT 50961] ISBN: 1137110740electronic bk.
    [NT 60779] Content Note: From film theory to post-theory Sublime objects of cinema Class struggle in film studies Interlude: the pervert and the analyst Cinema, ideology, and form Enjoyment in the cinema Conclusion: theory as realism set in drive.
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