| 紀錄類型: |
書目-電子資源
: 單行本
|
| 副題名: |
theorizing performer-object interaction in Grotowski, Kantor, and Meyerhold |
| 作者: |
PaavolainenTeemu., |
| 其他團體作者: |
Palgrave Connect (Online service) |
| 出版地: |
New York, NY |
| 出版者: |
Palgrave Macmillan; |
| 出版年: |
2012 |
| 版本: |
1st ed. |
| 面頁冊數: |
1 online resource (xiii, 283 p.)ill. : |
| 集叢名: |
Cognitive studies in literature and performance |
| 標題: |
Theater - Philosophy. - |
| 標題: |
Cognition. - |
| 標題: |
Experimental theater. - |
| 標題: |
Me�ierkhol�d - V. �E. - Criticism and interpretation. - |
| 標題: |
Grotowski - Jerzy - Criticism and interpretation. - |
| 標題: |
Kantor - Tadeusz - Criticism and interpretation. - |
| 電子資源: |
http://www.palgraveconnect.com/doifinder/10.1057/9781137277923An electronic book accessible through the World Wide Web; click for information |
| 附註: |
Description based on print version record. |
| 摘要註: |
Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Jerzy Grotowski's Akropolis (1962-69), and Tadeusz Kantor's Let the Artists Die! (1985), Paavolainen also traces intriguing continuities from their cultural contexts, through the directors' philosophies, to international reviews and scholarship. Artificial divisions of mind over matter and subjects over objects are rejected for the ecological grounding of all cognition: understood as fundamentally embodied, embedded, extended, and enactive, mind also is ultimately performed in the world. |
| ISBN: |
9781137277923electronic bk. |
| ISBN: |
1137277920electronic bk. |
| 內容註: |
Introduction Agents and objects: a primer to concepts and approaches The Meyerhold case: scaffolding action and interpretation The Polish case: poor theatre/s and cultural ecology Grotowski and the "objectivity" of performance Pillories to barricade: Kantor's infernal ecologies Epilogue: performing humanity: tensions and continuities. |