• Screening the dark side of love : from Euro-horror to American cinema
  • [NT 42944] Record Type: [NT 8598] Electronic resources : [NT 40817] monographic
    [NT 47348] Title Information: from Euro-horror to American cinema
    [NT 47353] Alternative Intellectual Responsibility: RitzenhoffKaren A.,
    [NT 47353] Alternative Intellectual Responsibility: RandellKaren.,
    [NT 47351] Place of Publication: New York, N.Y.
    [NT 47263] Published: Palgrave Macmillan;
    [NT 47352] Year of Publication: 2012
    [NT 47264] Description: 1 online resource (xxiv, 256 p.)ill. :
    [NT 47266] Subject: Love in motion pictures -
    [NT 47266] Subject: Women in motion pictures -
    [NT 47266] Subject: Sex in motion pictures -
    [NT 47266] Subject: Sex role in motion pictures -
    [NT 47266] Subject: Violence in motion pictures -
    [NT 47266] Subject: ART / Film & Video -
    [NT 47266] Subject: PERFORMING ARTS / Film & Video / Reference -
    [NT 51458] Online resource: http://www.palgraveconnect.com/doifinder/10.1057/9781137096630
    [NT 47265] Notes: Most essays in this collection were presented at a 2010 biennial conference, Film and History, held in Milwaukee, where "Love" was the main theme.
    [NT 51398] Summary: This edited collection unpicks the ways in which love can be understood globally as a problematic and often violent transgression rather than the narrative of 'happy endings' that Classical Hollywood has offered. Its engagement with varying methodologies of history, textual analysis, psychoanalytic models and cultural critique ensures that the edition will be useful for courses taught across the globe on film, television and popular culture. The collection comprises of international scholars who engage with films that have been made from the margins to the mainstream of cinema to explore issues surrounding gender identity and spectatorship.
    [NT 50961] ISBN: 9781137096630electronic bk.
    [NT 50961] ISBN: 1137096632electronic bk.
    [NT 60779] Content Note: The whip and the body: sex, violence, and performative spectatorship in Euro-horror S&M cinema / Ian Olney Re-imagining censorship as "reel" mutilation: why not release a G-rated version of David Cronenberg's Crash? / Janet S. Robinson Antichrist: lost children, love, and the fear of excess / Terrie Waddell Black bucks and Don Juans: in the cut's seductive mythologies of race and sex / Tiel Lundy Mad love: the anxiety of difference in the films of Lon Chaney Sr. / Karen Randell Love, crime and Agatha Christie / Mark Aldridge Monstrous love: oppression, intimacy and transformation in Mary Reilly / Cynthia J. Miller Self-mutilation and dark love in Darren Aronofsky's Black swan (2010) and Michael Haneke's The piano teacher / Karen A. Ritzenhoff Female pleasure and performance: masochism in Belle de jour and Histoire d'o / Samm Deighan "What's in the basket?": sexualized and sexualizing violence in Frank Henenlotter's Basket case / Lisa Cunningham Blood and bravado: violence, sex, and Spain in Pedro Almod�ovar's film Matador / Meggie Morris The backhand of backlash: troubling the gender politics of domestic violence scenes in Tyler Perry's The family that preys / Jenise Hudson Fatal attraction redux?: the gender, racial, and class politics of obsessed / Suzanne Leonard and Bailey Ray The idea of love in the TV serial drama In treatment / Christine Lang Fucking machines: high-tech bodies in pornography / Sarah Schaschek.
[NT 59725] Reviews
Export
[NT 5501410] pickup library
 
 
[NT 48336] Change password
[NT 5480] Login