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Cinema, pain and pleasure : consent and the controlled body
[NT 42944] Record Type:
[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47348] Title Information:
consent and the controlled body
[NT 47261] Author:
AllenSteven, 1967-
[NT 47356] Secondary Intellectual Responsibility:
Palgrave Connect (Online service)
[NT 47351] Place of Publication:
Houndmills, Basingstoke New York, NY
[NT 47263] Published:
Palgrave Macmillan;
[NT 47352] Year of Publication:
2013
[NT 47264] Description:
1 online resource.
[NT 47266] Subject:
Sadism in motion pictures. -
[NT 47266] Subject:
Sadomasochism in motion pictures. -
[NT 47266] Subject:
Bondage (Sexual behavior) in motion pictures. -
[NT 47266] Subject:
Pain in motion pictures. -
[NT 47266] Subject:
Torture in motion pictures. -
[NT 51458] Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137306692An electronic book accessible through the World Wide Web; click for information
[NT 47265] Notes:
Description based on print version record.
[NT 51398] Summary:
The idea that pain can be a pleasure is a troubling one, and yet it informs cultural practices ranging from extreme sports to BDSM (bondage and discipline, dominance and submission, and sadomasochism). This book considers how mainstream cinema borrows heavily from these cultural activities for its imagery, but typically rejects their social motivations founded on masochistic pleasure and an assertion of autonomy. Noting a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change. Films addressed include "Crash", "Fight Club", "Saw", "Se7en" and "Sick". Individual chapters focus on the influence of BDSM, body modification, provocative artwork, dangerous games and torture, and collectively they offer an address of how cinema's viscerally dominated, marked and suffering body : the controlled body b6 s destabilizes the pain/pleasure dichotomy, as well as other binaries founded on gender, sexuality and disfigurement/beauty.
[NT 50961] ISBN:
9781137306692electronic bk.
[NT 50961] ISBN:
1137306696electronic bk.
[NT 60779] Content Note:
Introduction Situating the controlled body Bondage and discipline, dominance and submission, and sadomasochism (BDSM) at the movies Body modification: beauty and the pleasures of the modifiable flesh Aestheticized pain and the artistic serial killer Playing with control Choosing torture instead of submission Conclusion.
Cinema, pain and pleasure : consent and the controlled body
Allen, Steven
Cinema, pain and pleasure
: consent and the controlled body / Steven Allen. - Houndmills, Basingstoke New York, NY : Palgrave Macmillan, 2013. - 1 online resource..
Introduction.
Description based on print version record..
Includes bibliographical references..
ISBN 9781137306692ISBN 1137306696
Sadism in motion pictures.Sadomasochism in motion pictures.Bondage (Sexual behavior) in motion pictures.Pain in motion pictures.Torture in motion pictures.
Cinema, pain and pleasure : consent and the controlled body
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consent and the controlled body
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Aestheticized pain and the artistic serial killer
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Playing with control
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Choosing torture instead of submission
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The idea that pain can be a pleasure is a troubling one, and yet it informs cultural practices ranging from extreme sports to BDSM (bondage and discipline, dominance and submission, and sadomasochism). This book considers how mainstream cinema borrows heavily from these cultural activities for its imagery, but typically rejects their social motivations founded on masochistic pleasure and an assertion of autonomy. Noting a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change. Films addressed include "Crash", "Fight Club", "Saw", "Se7en" and "Sick". Individual chapters focus on the influence of BDSM, body modification, provocative artwork, dangerous games and torture, and collectively they offer an address of how cinema's viscerally dominated, marked and suffering body : the controlled body b6 s destabilizes the pain/pleasure dichotomy, as well as other binaries founded on gender, sexuality and disfigurement/beauty.
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An electronic book accessible through the World Wide Web; click for information
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