• Femininity, time and feminist art
  • [NT 42944] Record Type: [NT 8598] Electronic resources : [NT 40817] monographic
    [NT 47261] Author: JohnsonClare.,
    [NT 47351] Place of Publication: [Basingstoke]
    [NT 47263] Published: Palgrave Macmillan;
    [NT 47352] Year of Publication: 2013
    [NT 47264] Description: 1 online resourceill. :
    [NT 47266] Subject: Feminism and art. -
    [NT 47266] Subject: Feminism in art. -
    [NT 47266] Subject: Feminist art criticism. -
    [NT 47266] Subject: ART / General -
    [NT 51458] Online resource: http://www.palgraveconnect.com/doifinder/10.1057/9781137318091
    [NT 47265] Notes: Description based on online resource; title from title details screen (Palgrave Connect, viewed Aug. 28, 2013).
    [NT 51398] Summary: "Femininity, Time and Feminist Art" explores feminist art of the 1970s through the lens of contemporary art made by women. In a series of original readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann, Clare Johnson argues that femininity can be understood as a relationship to time. Each chapter analyses one or more artworks through different forms of time, taking the reader on a journey through a range of issues including maternal loss and desire, narratives of escape and failed femininity. "Femininity, Time and Feminist Art" argues for an inter-generational approach to art history, which is unafraid to include art considered marginal to feminism.
    [NT 50961] ISBN: 9781137318091electronic bk.
    [NT 50961] ISBN: 1137318090electronic bk.
    [NT 60779] Content Note: 1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Beclme a Dancer" 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" 5. Critical Mimesis: Hannah Wilke's Double Address 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.
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