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Music and empire in Britain and India : identity, internationalism, and cross-cultural communication
[NT 42944] Record Type:
[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47348] Title Information:
identity, internationalism, and cross-cultural communication
[NT 47261] Author:
LindenBob van der.,
[NT 47351] Place of Publication:
New York, NY
[NT 47263] Published:
Palgrave Macmillan;
[NT 47352] Year of Publication:
2013
[NT 47264] Description:
1 online resource
[NT 47298] Series:
Palgrave studies in cultural and intellectual history
[NT 47266] Subject:
Music - Social aspects - India - 19th century. -
[NT 47266] Subject:
Music - Social aspects - India - 20th century. -
[NT 47266] Subject:
Music - Social aspects - Great Britain - 19th century. -
[NT 47266] Subject:
Music - Social aspects - Great Britain - 20th century. -
[NT 47266] Subject:
Music - History and criticism. - India - 19th century -
[NT 47266] Subject:
Music - History and criticism. - India - 20th century -
[NT 47266] Subject:
Music - History and criticism. - Great Britain - 19th century -
[NT 47266] Subject:
Music - History and criticism. - Great Britain - 20th century -
[NT 47266] Subject:
Music - Indic influences. - Great Britain -
[NT 47266] Subject:
Music - Western influences. - India -
[NT 47266] Subject:
MUSIC / Genres & Styles / Classical -
[NT 47266] Subject:
MUSIC / Reference -
[NT 51458] Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137311641
[NT 47265] Notes:
Description based on print version record
[NT 51398] Summary:
Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in Britain and India out of the nineteenth century and into the twentieth. In addition, it tracks subversive, internationalist counter-movements that challenged nationalist musical establishments - as well as the openness of some Britons and Indians to the possibility of learning from each other. Ranging from the groundbreaking folk music research and compositions of Percy Grainger to Sikh sacred music, this study opens up new areas for research by applying music as a lens through which to examine societal and intellectual change.
[NT 50961] ISBN:
9781137311641electronic bk.
[NT 50961] ISBN:
1137311649electronic bk.
[NT 60779] Content Note:
Cyril Scott : 'The father of modern British music' and the occult Percy Grainger : Kipling, racialism and all the world's folk music John Foulds and Maud MacCarthy : internationalism, theosophy and Indian music Rabindranath Tagore and Arnold Bake : modernist aesthetics and cross-cultural communication in Bengali folk music Sikh sacred music : identity, aesthetics and historical change.
Music and empire in Britain and India : identity, internationalism, and cross-cultural communication
Linden, Bob van der.
Music and empire in Britain and India
: identity, internationalism, and cross-cultural communication / Bob van der Linden. - New York, NY : Palgrave Macmillan, 2013. - 1 online resource. - (Palgrave studies in cultural and intellectual history).
Cyril Scott : 'The father of modern British music' and the occult.
Description based on print version record.
Includes bibliographical references and index.
ISBN 9781137311641ISBN 1137311649
MusicMusicMusicMusicMusicMusicMusicMusicMusicMusicMUSIC / Genres & Styles / ClassicalMUSIC / Reference -- Social aspects -- Social aspects -- Social aspects -- Social aspects -- History and criticism. -- History and criticism. -- History and criticism. -- History and criticism. -- Indic influences. -- Western influences. -- India -- India -- Great Britain -- Great Britain -- India -- India -- Great Britain -- Great Britain -- Great Britain -- India -- 19th century. -- 20th century. -- 19th century. -- 20th century. -- 19th century -- 20th century -- 19th century -- 20th century
Music and empire in Britain and India : identity, internationalism, and cross-cultural communication
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identity, internationalism, and cross-cultural communication
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Rabindranath Tagore and Arnold Bake : modernist aesthetics and cross-cultural communication in Bengali folk music
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Sikh sacred music : identity, aesthetics and historical change.
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Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in Britain and India out of the nineteenth century and into the twentieth. In addition, it tracks subversive, internationalist counter-movements that challenged nationalist musical establishments - as well as the openness of some Britons and Indians to the possibility of learning from each other. Ranging from the groundbreaking folk music research and compositions of Percy Grainger to Sikh sacred music, this study opens up new areas for research by applying music as a lens through which to examine societal and intellectual change.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137311641
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