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Fandom, authenticity, and opera : mad acts and letter scenes in fin-de-si{EFBFBD}ecle Russia
[NT 42944] Record Type:
[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47348] Title Information:
mad acts and letter scenes in fin-de-si{EFBFBD}ecle Russia
[NT 47261] Author:
FishzonAnna,
[NT 47351] Place of Publication:
Basingstoke
[NT 47263] Published:
Palgrave Macmillan;
[NT 47352] Year of Publication:
2012
[NT 47264] Description:
1 online resource
[NT 47298] Series:
Palgrave studies in cultural and intellectual history
[NT 47266] Subject:
Opera - Russia - 19th century. -
[NT 47266] Subject:
Opera audiences - History - Russia - 19th century. -
[NT 47266] Subject:
Music fans - Russia. -
[NT 47266] Subject:
MUSIC / Instruction & Study / Voice -
[NT 47266] Subject:
MUSIC / Lyrics -
[NT 47266] Subject:
MUSIC / Printed Music / Vocal -
[NT 51458] Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137023452
[NT 47265] Notes:
Description based on print version record
[NT 51398] Summary:
In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated extreme emotional states and passionate belief. A uniquely intense approach to public life and private expression - the 'melodramatic imagination' - is at the center of this study. Previously, scholars have only indirectly addressed the everyday appropriation of melodramatic aesthetics in Russia, choosing to concentrate on canonical texts and producers of mass culture. Collective fantasies and affects are daunting objects of study, difficult to render, and almost impossible to prove empirically. Music and art historians, with some notable exceptions, have been reluctant to discuss reception for similar reasons. By analyzing the artifacts and practices of a commercialized opera culture, author Anna Fishzon provides a solution to these challenges. Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-s{EFBFBD}icle European popular and high culture, selfhood, authenticity, and political theater.
[NT 50961] ISBN:
9781137023452electronic bk.
[NT 50961] ISBN:
1137023457electronic bk.
[NT 60779] Content Note:
1. Entrepreneurs and the Public Mission of Russian Private Opera 2. Russia's New Celebrities: Off-stage Narrative and Performance 3. Deviant Audiences and the Feminization of Fandom 4. Authenticity in the Age of Mechanical Reproduction, or, How the Gramophone Made Everyday Life Operatic 5. Fan Letters, Melodrama, and the Meaning of Love Epilogue.
Fandom, authenticity, and opera : mad acts and letter scenes in fin-de-si{EFBFBD}ecle Russia
Fishzon, Anna
Fandom, authenticity, and opera
: mad acts and letter scenes in fin-de-si{EFBFBD}ecle Russia / by Anna Fishzon. - Basingstoke : Palgrave Macmillan, 2012. - 1 online resource. - (Palgrave studies in cultural and intellectual history).
1. Entrepreneurs and the Public Mission of Russian Private Opera.
Description based on print version record.
ISBN 9781137023452ISBN 1137023457
OperaOpera audiencesMusic fansMUSIC / Instruction & Study / VoiceMUSIC / LyricsMUSIC / Printed Music / Vocal -- History -- Russia -- Russia -- Russia. -- 19th century. -- 19th century.
Fandom, authenticity, and opera : mad acts and letter scenes in fin-de-si{EFBFBD}ecle Russia
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In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated extreme emotional states and passionate belief. A uniquely intense approach to public life and private expression - the 'melodramatic imagination' - is at the center of this study. Previously, scholars have only indirectly addressed the everyday appropriation of melodramatic aesthetics in Russia, choosing to concentrate on canonical texts and producers of mass culture. Collective fantasies and affects are daunting objects of study, difficult to render, and almost impossible to prove empirically. Music and art historians, with some notable exceptions, have been reluctant to discuss reception for similar reasons. By analyzing the artifacts and practices of a commercialized opera culture, author Anna Fishzon provides a solution to these challenges. Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-s{EFBFBD}icle European popular and high culture, selfhood, authenticity, and political theater.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137023452
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