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[NT 33762] ISBD
Cultivating national identity through performance : American pleasure gardens and entertainment
[NT 42944] Record Type:
[NT 8598] Electronic resources : [NT 40817] monographic
[NT 47348] Title Information:
American pleasure gardens and entertainment
[NT 47261] Author:
StubbsNaomi J., 1981-
[NT 47351] Place of Publication:
New York, NY
[NT 47263] Published:
Palgrave Macmillan;
[NT 47352] Year of Publication:
2013
[NT 47264] Description:
1 online resource
[NT 47298] Series:
Palgrave studies in theatre and performance history
[NT 47266] Subject:
Gardens - History. - United States -
[NT 47266] Subject:
Gardens - Social aspects - United States. -
[NT 47266] Subject:
Amusements - History. - United States -
[NT 47266] Subject:
Performance art - History. - United States -
[NT 47266] Subject:
GARDENING / Essays -
[NT 47266] Subject:
GARDENING / Reference -
[NT 47266] Subject:
GARDENING / Vegetables -
[NT 47266] Subject:
SCIENCE / Life Sciences / Horticulture -
[NT 47266] Subject:
United States - Social life and customs. -
[NT 51458] Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137326874
[NT 47265] Notes:
Description based on print version record
[NT 51398] Summary:
Combining the charms of the country with the convenience of the city and delivering a healthy dose of both entertainment and education, American pleasure gardens were ubiquitous between the Revolution and the Civil War. Patrons of these entertainment venues would have expected to see plays, concerts, fairs, mechanical and artistic exhibits, fireworks, volcanic eruptions, and - perhaps more crucially - they would have expected to see and be seen. As outdoor entertainment venues in American cities in the eighteenth and nineteenth centuries, pleasure gardens presented citizens with public spaces where they could explore what it meant to be American. The very nature of American pleasure gardens provided an effective location for the exploration of and experimentation with American identities, due to their nature as simultaneously rural and urban, modern and nostalgic, British and American, white and racialized, and democratic and class-conscious. Stubbs examines how these once popular venues helped form American identity using nation, class, race, and the agrarian ideal as touchstones and argues the gardens allowed for the exploration of what it meant to be American through performance, both on and off the stage.
[NT 50961] ISBN:
9781137326874electronic bk.
[NT 50961] ISBN:
1137326875electronic bk.
[NT 60779] Content Note:
Performing nation: the pleasure gardens as a space for defining America Performing place: the rural/urban tension Performing class: the challenge to and reaffirmation of class divisions and hierarchies Performing race: Native Americans and African Americans within the gardens Beyond the pleasure garden.
Cultivating national identity through performance : American pleasure gardens and entertainment
Stubbs, Naomi J.
Cultivating national identity through performance
: American pleasure gardens and entertainment / Naomi J. Stubbs. - New York, NY : Palgrave Macmillan, 2013. - 1 online resource. - (Palgrave studies in theatre and performance history).
Performing nation: the pleasure gardens as a space for defining America.
Description based on print version record.
ISBN 9781137326874ISBN 1137326875
GardensGardensAmusementsPerformance artGARDENING / EssaysGARDENING / ReferenceGARDENING / VegetablesSCIENCE / Life Sciences / Horticulture -- History. -- Social aspects -- History. -- History. -- United States -- United States. -- United States -- United States
Cultivating national identity through performance : American pleasure gardens and entertainment
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Combining the charms of the country with the convenience of the city and delivering a healthy dose of both entertainment and education, American pleasure gardens were ubiquitous between the Revolution and the Civil War. Patrons of these entertainment venues would have expected to see plays, concerts, fairs, mechanical and artistic exhibits, fireworks, volcanic eruptions, and - perhaps more crucially - they would have expected to see and be seen. As outdoor entertainment venues in American cities in the eighteenth and nineteenth centuries, pleasure gardens presented citizens with public spaces where they could explore what it meant to be American. The very nature of American pleasure gardens provided an effective location for the exploration of and experimentation with American identities, due to their nature as simultaneously rural and urban, modern and nostalgic, British and American, white and racialized, and democratic and class-conscious. Stubbs examines how these once popular venues helped form American identity using nation, class, race, and the agrarian ideal as touchstones and argues the gardens allowed for the exploration of what it meant to be American through performance, both on and off the stage.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137326874
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