嶺東科技大學 |

New Francophone African and Caribbean theatres

紀錄類型:	書目-電子資源 : 單行本
作者:	Conteh-MorganJohn,
其他作者:	ThomasDominic Richard David,
其他團體作者:	Project Muse
出版地:	Bloomington
出版者:	Indiana University Press;
出版年:	c2010
面頁冊數:	1 online resource (xviii, 208 p.).
集叢名:	African expressive cultures
標題:	Theater - Caribbean, French-speaking -
標題:	Caribbean drama (French) - History and criticism -
標題:	Theater - Africa, French-speaking West -
標題:	Theater - Africa, French-speaking Equatorial -
標題:	African drama (French) - History and criticism -
電子資源:	http://muse.jhu.edu/books/9780253004581/
附註:	Includes bibliographical references (p. [177]-194) and index
ISBN:	9780253004581electronic bk.
ISBN:	0253004586electronic bk.
ISBN:	9780253355133hbk.
ISBN:	0253355133hbk.
ISBN:	9780253222268pbk.
ISBN:	0253222265pbk.
內容註:	Introduction : instrumentalizing performance and the Francophone postcolonial performative --Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatistas epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures ofdramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'onsort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergoth? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization

New Francophone African and Caribbean theatres
Conteh-Morgan, John

New Francophone African and Caribbean theatres / John Conteh-Morgan with Dominic Thomas - Bloomington : Indiana University Press, c2010. - 1 online resource (xviii, 208 p.).. - (African expressive cultures).
Introduction : instrumentalizing performance and the Francophone postcolonial performative --Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatistas epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures ofdramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'onsort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergoth? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization.
Includes bibliographical references (p. [177]-194) and index.
ISBN 9780253004581ISBN 0253004586ISBN 9780253355133ISBN 0253355133ISBN 9780253222268ISBN 0253222265
TheaterCaribbean drama (French)TheaterTheaterAfrican drama (French) -- History and criticism -- History and criticism -- Caribbean, French-speaking -- Africa, French-speaking West -- Africa, French-speaking Equatorial

Thomas, Dominic Richard David

New Francophone African and Caribbean theatres
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