| 內容註: |
Introduction: snakes and funerals -- D.W. Griffith, Buster Keaton, Abel Gance, and the precursors of widescreen aesthetics -- Big trail, the bat whispers, and the invention of widescreen style in 1930 -- Emerging stylistic norms in CinemaScope: genre and authorship in the films ofOtto Preminger, Nicholas Ray, Frank Tashlin, and Douglas Sirk -- Experiments, 1968, and the fractured screen -- New media, digitextuality, and widescreen -- Conclusion |