• Gender meets genre in postwar cinemas
  • [NT 42944] Record Type: [NT 8598] Electronic resources : [NT 40817] monographic
    [NT 47354] Secondary Intellectual Responsibility: GledhillChristine,
    [NT 47356] Secondary Intellectual Responsibility: Project Muse
    [NT 47351] Place of Publication: Urbana
    [NT 47263] Published: University of Illinois Press;
    [NT 47352] Year of Publication: c2012
    [NT 47264] Description: 1 online resource (274 p.)ill. :
    [NT 47266] Subject: Men in motion pictures -
    [NT 47266] Subject: Women in motion pictures -
    [NT 47266] Subject: Film genres -
    [NT 47266] Subject: Feminism and motion pictures -
    [NT 47266] Subject: Motion pictures and women -
    [NT 47266] Subject: Sex role in motion pictures -
    [NT 51458] Online resource: http://muse.jhu.edu/books/9780252093661/
    [NT 47265] Notes: Includes bibliographical references and index
    [NT 50961] ISBN: 9780252093661electronic bk.
    [NT 50961] ISBN: 9780252036613hbk.
    [NT 50961] ISBN: 9780252078316pbk.
    [NT 60779] Content Note: Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram --100% pure adrenaline: gender and generic surface in Point break / LukeCollins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnes Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / AdamSegal -- Up close and personal: faces and clmes in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny inthe horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual differance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan
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