嶺東科技大學 |

[NT 42591] Language: 簡体中文

[NT 5635] Back

[NT 59884] Switch To: [NT 5556] Labeled | [NT 5559] MARC Mode | [NT 33762] ISBD

Alexander Mcqueen evolution

[NT 42944] Record Type:	[NT 1579] Language materials, printed : [NT 40817] monographic
[NT 47261] Author:	GleasonKatherine,
[NT 47351] Place of Publication:	New York
[NT 47263] Published:	Race Point;
[NT 47352] Year of Publication:	2012
[NT 47264] Description:	215 p.col. ill. : 31 cm.;
[NT 47266] Subject:	Fashion design - History - Great Britain - 21st century -
[NT 47266] Subject:	Fashion photography. -
[NT 47266] Subject:	Fashion designers - Exhibitions - Great Britain -
[NT 47266] Subject:	Costume design - History - Great Britain - 20th century -
[NT 47266] Subject:	Costume design - History - Great Britain - 21st century -
[NT 47266] Subject:	Fashion design - History - Great Britain - 20th century -
[NT 51399] Personal Subject:	McQueen - Alexander - Exhibitions -
[NT 51398] Summary:	"From Jack the Ripper Stalks His Victims, his 1992 graduate collection, to Plato's Atlantis, the last show before his death in 2010, Lee Alexander McQueen was as celebrated for the exquisite tailoring, meticulous craftsmanship, and stunning originality of his designs as he was notorious for his theatrical--and often controversial--runway shows. McQueen found inspiration forhis avant-garde collections everywhere: his Scottish ancestry, Alfred Hitchcock movies, Yoruba mythology, the destruction of the environment--even the fashion industry itself. Whatever his inspiration, however, McQueen's concept for his runway show came first and was crucial to the development of the collection. Every show had a narrative and was staged with his characteristic dramatic flair. Highland Rape featured disheveled models smeared with "blood" staggering down the runway in town clothes. In Scanners, two robots sprayed paint on a model trapped on a spinning platform. In Widows of Culloden, a hologram of supermodel Kate Moss held center stage. Other McQueen shows staged models walking through water, drifting snowflakes, rain, and wind tunnels; pole-dancing in garishmakeup at a carnival, playing living pieces in a bizarre chess game, and performing with trained dancers in a Depression-era-style marathon. Illustrated throughout withstunning photography and liberally sprinkled with quotations from McQueen and those who knew him best, Alexander McQueen: Evolution is the story of the designer's thirty-five runway shows and the genius behind them"--Publisher's web site
[NT 50961] ISBN:	978-1-937994-00-6bound
[NT 50961] ISBN:	1-937994-00-7bound

Alexander Mcqueen evolution
Gleason, Katherine

Alexander Mcqueen evolution / by Katherine Gleason ; epilogue by Simon Collins - New York : Race Point, 2012. - 215 p. ; col. ill. ; 31 cm..
ISBN 978-1-937994-00-6ISBN 1-937994-00-7
Fashion designFashion photography.Fashion designersCostume designCostume designFashion design -- History -- Exhibitions -- History -- History -- History -- Great Britain -- Great Britain -- Great Britain -- Great Britain -- Great Britain -- 21st century -- 20th century -- 21st century -- 20th century

Alexander Mcqueen evolution
LDR:02135nam0 2200193 4500 001 304538
005 20140106103943.0
010 1 $a 978-1-937994-00-6 $b bound $d NT$1183
010 1 $a 1-937994-00-7 $b bound $d NT$1183
100 $a 20150306d2012 m y0gery50 d
101 0 $a eng
102 $a us
105 $a a z 000yy
200 1 $a Alexander Mcqueen evolution $f by Katherine Gleason $g epilogue by Simon Collins
210 $a New York $d 2012 $c Race Point
215 1 $a 215 p. $c col. ill. $d 31 cm.
330 $a "From Jack the Ripper Stalks His Victims, his 1992 graduate collection, to Plato's Atlantis, the last show before his death in 2010, Lee Alexander McQueen was as celebrated for the exquisite tailoring, meticulous craftsmanship, and stunning originality of his designs as he was notorious for his theatrical--and often controversial--runway shows. McQueen found inspiration forhis avant-garde collections everywhere: his Scottish ancestry, Alfred Hitchcock movies, Yoruba mythology, the destruction of the environment--even the fashion industry itself. Whatever his inspiration, however, McQueen's concept for his runway show came first and was crucial to the development of the collection. Every show had a narrative and was staged with his characteristic dramatic flair. Highland Rape featured disheveled models smeared with "blood" staggering down the runway in town clothes. In Scanners, two robots sprayed paint on a model trapped on a spinning platform. In Widows of Culloden, a hologram of supermodel Kate Moss held center stage. Other McQueen shows staged models walking through water, drifting snowflakes, rain, and wind tunnels; pole-dancing in garishmakeup at a carnival, playing living pieces in a bizarre chess game, and performing with trained dancers in a Depression-era-style marathon. Illustrated throughout withstunning photography and liberally sprinkled with quotations from McQueen and those who knew him best, Alexander McQueen: Evolution is the story of the designer's thirty-five runway shows and the genius behind them"--Publisher's web site
600 1 $a McQueen $b Alexander $f 1969-2010 $x Exhibitions $2 lc $3 363770
606 # $a Fashion design $y Great Britain $x History $z 21st century $x Exhibitions $2 lc $3 363771
606 # $a Fashion photography. $3 71445
606 # $a Fashion designers $y Great Britain $x Exhibitions $2 lc $3 363772
606 # $a Costume design $y Great Britain $x History $z 20th century $x Exhibitions $2 lc $3 363773
606 # $a Costume design $y Great Britain $x History $z 21st century $x Exhibitions $2 lc $3 363774
606 # $a Fashion design $y Great Britain $x History $z 20th century $x Exhibitions $2 lc $3 363775
676 $a 746.9209
676 $a Gleason $b Katherine $v 1960-
700 1 $a Gleason $b Katherine $3 364496
801 0 $a tw $b 嶺東科技大學圖書館