| 紀錄類型: |
書目-語言資料,印刷品
: 單行本
|
| 副題名: |
theory and criticism, 1902-1934 |
| 其他作者: |
BowltJohn E., |
| 出版地: |
London |
| 出版者: |
Thames & Hudson; |
| 出版年: |
2017 |
| 版本: |
New ed. |
| 面頁冊數: |
xxxix, 376 p.ill. : 21 cm.; |
| 標題: |
Avant-garde (Aesthetics) - History - Russia (Federation) - 20th century. - |
| 標題: |
Art, Russian - 20th century. - |
| 摘要註: |
During the first third of the 20th century, Russian art went through a series of dramatic changes, reflecting the political and social upheavals of the country and producing - for a brief, exciting period - a body of avant-garde work whose influence would eventually be felt throughout the rest of the world. Eagerly breaking with the past and absorbing the innovations of Europe, a new generation of young artists developed a host of fresh ideas and original styles, such as Neo-primitivism, Rayonism, Suprematism and Constructivism. |
| ISBN: |
0-500-29305-8pbk. |
| ISBN: |
978-0-500-29305-8pbk. |
| 內容註: |
The subjective aesthetic: symbolism and the intuitive Neoprimitivism and cubofuturism Nonobjective art Statements from the catalogue of the "tenth state exhibition: nonobjective creativity and suprematism," 1919 The revolution and art Constructivism and the industrial arts Statements from the catalogue of the "first discussional exhibition of associations of active revolutionary art," 1924 Toward socialist realism Contributions to the first all-union congress of Soviet writers [extracts], 1934. |