| 紀錄類型: |
書目-語言資料,印刷品
: 單行本
|
| 副題名: |
painting after all |
| 作者: |
RichterGerhard, 1932- |
| 其他作者: |
FerBriony, |
| 其他作者: |
BuchlohB. H. D., |
| 其他作者: |
WagstaffSheena, |
| 其他團體作者: |
Museum of Contemporary Art (Los Angeles, Calif.) |
| 出版地: |
New York |
| 出版者: |
The Metropolitan Museum of Art; |
| 出版年: |
c2020 |
| 面頁冊數: |
269 pagesillustrations (some color) : 28 cm.; |
| 標題: |
Richter - Gerhard - Exhibitions - |
| 附註: |
Catalog of an exhibition at The Metropolitan Museum of Art, New York, March 4-July 5, 2020; and at the Museum of Contemporary Art, Los Angeles, August 14, 2020-January 19, 2021 |
| 摘要註: |
Over the course of his 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works |
| ISBN: |
1-58839-685-1bound |
| ISBN: |
978-1-58839-685-3bound |