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Production design for screen : visual storytelling in film and television

[NT 42944] Record Type:	[NT 1579] Language materials, printed : [NT 40817] monographic
[NT 47348] Title Information:	visual storytelling in film and television
[NT 47261] Author:	BarnwellJane, 1967-
[NT 47351] Place of Publication:	London
[NT 47263] Published:	Bloomsbury Academic;
[NT 47352] Year of Publication:	2020
[NT 47264] Description:	224 p.ill., facsimiles (chiefly col.) : 27 cm.;
[NT 47298] Series:	Required reading range
[NT 47266] Subject:	Motion pictures - Art direction -
[NT 47266] Subject:	Motion pictures - Setting and scenery -
[NT 47266] Subject:	Television - Art direction -
[NT 51398] Summary:	"Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this innovative book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story. Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling. Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a theoretical model for the analysis of production design. Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision"--Page 4 of cover
[NT 50961] ISBN:	978-1-5013-7371-8pbk.
[NT 50961] ISBN:	1-5013-7371-4pbk.
[NT 60779] Content Note:	Introduction : Authorship and the visual signature ; Styles and movements: a timeline CHAPTER 1. Practicalities: the design process : The art department ; Breaking down the script ; Developing initial ideas ; Research process ; Sketches, drafts, models ; The budget ; Studio construction ; Locations ; Set decorating and dressing ; Interview with Anna Pritchard CHAPTER 2. The visual concept : Collaboration ; Concept, contrast and transformation ; Developing the visual concept ; Inspiration ; Interview with Stuart Craig CHAPTER 3. Space : Space ; Real and imagined worlds ; Size and scale ; Geography of space ; Vertical hierarchy ; Interview with Alex McDowell CHAPTER 4. In and out: boundaries and transitions : In and out ; Doorways and windows ; Movements and transition ; Interiors and exteriors ; Case study : Hugo Luczyc-Wyhowski CHAPTER 5. Light : Sources and position ; Character and story ; Colour ; Paintings ; Interview with Ronald Gow CHAPTER 6. Colour : Colour and early cinema ; Painting and perception ; Colour palette and psychology ; The emotional colour of a scene ; Character and story ; The colour red ; Interview with Jim Bissell CHAPTER 7. Set decoration : The set decorator ; Reflecting character ; Furniture and dressing ; Period and style ; Interview with Tatiana Macdonald Appendix : Clay: student script ; Graduate interviews ; Designer biographies

Production design for screen : visual storytelling in film and television
Barnwell, Jane

Production design for screen : visual storytelling in film and television / Jane Barnwell - London : Bloomsbury Academic, 2020. - 224 p. ; ill., facsimiles (chiefly col.) ; 27 cm.. - (Required reading range).
Introduction : Authorship and the visual signature ; Styles and movements: a timeline.
Includes bibliographical references, selected filmography, and index..
ISBN 978-1-5013-7371-8ISBN 1-5013-7371-4
Motion picturesMotion picturesTelevision -- Art direction -- Setting and scenery -- Art direction

Production design for screen : visual storytelling in film and television
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327 1 $a Introduction : Authorship and the visual signature ; Styles and movements: a timeline $a CHAPTER 1. Practicalities: the design process : The art department ; Breaking down the script ; Developing initial ideas ; Research process ; Sketches, drafts, models ; The budget ; Studio construction ; Locations ; Set decorating and dressing ; Interview with Anna Pritchard $a CHAPTER 2. The visual concept : Collaboration ; Concept, contrast and transformation ; Developing the visual concept ; Inspiration ; Interview with Stuart Craig $a CHAPTER 3. Space : Space ; Real and imagined worlds ; Size and scale ; Geography of space ; Vertical hierarchy ; Interview with Alex McDowell $a CHAPTER 4. In and out: boundaries and transitions : In and out ; Doorways and windows ; Movements and transition ; Interiors and exteriors ; Case study : Hugo Luczyc-Wyhowski $a CHAPTER 5. Light : Sources and position ; Character and story ; Colour ; Paintings ; Interview with Ronald Gow $a CHAPTER 6. Colour : Colour and early cinema ; Painting and perception ; Colour palette and psychology ; The emotional colour of a scene ; Character and story ; The colour red ; Interview with Jim Bissell $a CHAPTER 7. Set decoration : The set decorator ; Reflecting character ; Furniture and dressing ; Period and style ; Interview with Tatiana Macdonald $a Appendix : Clay: student script ; Graduate interviews ; Designer biographies
330 $a "Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this innovative book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story. Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling. Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a theoretical model for the analysis of production design. Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision"--Page 4 of cover
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801 0 $a tw $b 嶺東科技大學圖書館